Thursday, May 17, 2007

Charlie 'Lost' Through the Looking Glass?

Now that was an emotional rollercoaster! Part of me kept saying, "There's no way they're really going to kill Charlie!" and then the other part would add, "Right???" And then the scene on the outrigger happened and I was sure Charlie was as good as dead -- drowned in a watery tomb to ensure that Claire and the baby got off the island safely. It would be unusual for Lost - a show that tends to just kill someone off without any warning. I suppose it's easier this way. No drawn out goodbye to get my emotions all riled up - just a swift shove into a pit of human bones (for the record, I'm not convinced that Locke is dead) or sudden gun fire that leaves two characters dead. Maybe this is why I never mourn the deaths on Lost. Charlie would have been a different story and I'm not even a huge Charlie fan. Watching him recreate his "greatest hits" onto a list for Claire was sad and inspiring, happy and depressing all wrapped into a positive Charlie package. His life, it seems, was not all sex, drugs and rock and roll and countless fights with his brother. Now this is not say that everyone's favorite member of Drive Shaft isn't checking out anytime soon, but it was good to see him safe this episode. Speaking of being "safe," how interesting was it that the cable led to The Looking Glass station and that station, although underwater, has air in it and people seem to exist just fine. Did Desmond lie? Or is Charlie's destiny a little further in the future than we first thought?

Meanwhile, Ben's quest to be the only group of people on the island heated up. I can't figure out whether he's completely insane (Jacob?? WTH??) or some sort of brilliant mastermind. With his crew approaching the beach a day early and three members of the survivors lying in wait and well armed, there are going to be some casualties next week. Let's just hope Charlie isn't one of them. There are too many more potentional "greatest hits" for that list of his. Everybody buckle up tight, the 2-hour season finale is on deck and we all know that no one does a finale like Lost!

So, what did you think about last night's outing? Leave me a comment with your thoughts. If you missed this week's episode, you can watch it for free at abc.com. The screencap in this edition is courtesy of Lost-Media.com.

BREAKING UPFRONTS NEWS: CW and FOX Announce Schedules

Well Veronica fans, the dreaded day has finally come, and it seems that the news is not good. Veronica Mars is not on the CW's fall schedule (something we knew going into today's announcement), and creator Rob Thomas is telling TVGuide.com's Mike Ausiello that it's a "Very, very, very sad day around the VM offices." According to Thomas, "All my writers have been offered jobs elsewhere, and I believe they will now all accept these jobs." As Ausiello says, it's over. Nothing official yet from the CW, but President Dawn Ostroff told Ausiello at today's announcement that "Veronica Mars is over, but we're talking about something else. I don't know if it's going to be anything. I'm being honest with you. It could come back in some form, but I don't know what form that would be." It's difficult to push on with today's developments bringing such sad news, but the (other) shows must go on. Here's a look at the CW's (Veronica-less) Fall Schedule courtesy of The Futon Critic:

THE CW's 2007-2008 PRIMETIME SCHEDULE

MONDAY
8:00-8:30 PM EVERYBODY HATES CHRIS
8:30-9:00 PM ALIENS IN AMERICA (New Series)
9:00-9:30 PM GIRLFRIENDS
9:30-10:00 PM THE GAME

TUESDAY
8:00-9:00 PM BEAUTY AND THE GEEK
9:00-10:00 PM REAPER (New Series)

WEDNESDAY
8:00-9:00 PM AMERICA'S NEXT TOP MODEL
9:00-10:00 PM GOSSIP GIRL (New Series)

THURSDAY
8:00-9:00 PM SMALLVILLE
9:00-10:00 PM SUPERNATURAL

FRIDAY
8:00-10:00 PM FRIDAY NIGHT SMACKDOWN!

SUNDAY
7:00-7:30 PM CW NOW (New Series)
7:30-8:00 PM ONLINE NATION (New Series)
8:00-9:00 PM LIFE IS WILD (New Series)
9:00-10:00 PM AMERICA'S NEXT TOP MODEL (Encore Presentation)

Midseason Series Include Returning Hits "One Tree Hill" and "Pussycat Dolls Present" and Two New Reality Series, "Crowned: The Mother of All Pageants" and "Farmer Wants A Wife"

Meanwhile over at Fox, it was all about the new shows that the network decided to hold for midseason. The most notable, The Return of Jezebel James, is from Gilmore Girls creator Amy Sherman-Palladino. All of your favorites are back in their usual timeslots until midseason when things get scrambled around for the now-annual Idol shuffle. Here's a look at Fox's fall schedule courtesy of The Futon Critic:


FOX PRIMETIME SCHEDULE: FALL 2007 (All Times ET/PT)

MONDAY
8:00-9:00 PM PRISON BREAK
9:00-10:00 PM K-VILLE

TUESDAY
8:00-9:00 PM NEW AMSTERDAM
9:00-10:00 PM HOUSE

WEDNESDAY
8:00-8:30 PM BACK TO YOU
8:30-9:00 PM 'TIL DEATH
9:00-10:00 PM BONES

THURSDAY
8:00-9:00 PM ARE YOU SMARTER THAN A 5th GRADER?
9:00-10:00 PM KITCHEN NIGHTMARES

FRIDAY
8:00-9:00 PM THE SEARCH FOR THE NEXT GREAT AMERICAN
BAND (working title)
9:00-10:00 PM NASHVILLE (working title)

SATURDAY 8:00-8:30 PM COPS
8:30-9:00 PM COPS
9:00-10:00 PM AMERICA'S MOST WANTED: AMERICA FIGHTS BACK
11:00 PM-MIDNIGHT MADtv
MIDNIGHT-12:30 AM TALK SHOW WITH SPIKE FERESTEN

SUNDAY
7:00-8:00 PM THE OT (NFL post-game)
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM KING OF THE HILL
9:00-9:30 PM FAMILY GUY
9:30-10:00 PM AMERICAN DAD

FOX PRIMETIME SCHEDULE: BEGINNING JANUARY 2008 (All Times ET/PT)

MONDAY
8:00-9:00 PM K-VILLE (January)/PRISON BREAK (Spring)
9:00-10:00 PM 24

TUESDAY
8:00-9:00 PM AMERICAN IDOL
9:00-10:00 PM HOUSE

WEDNESDAY (January)
8:00-8:30 PM BACK TO YOU
8:30-9:00 PM 'TIL DEATH
9:00-10:00 PM AMERICAN IDOL

WEDNESDAY (Spring)
8:00-8:30 PM BACK TO YOU
8:30-9:00 PM THE RETURN OF JEZEBEL JAMES (working title)
9:00-9:30 PM AMERICAN IDOL Results Show
9:30-10:00 PM 'TIL DEATH

THURSDAY
8:00-9:00 PM ARE YOU SMARTER THAN A 5th GRADER?
9:00-10:00 PM CANTERBURY'S LAW

FRIDAY (Spring)
8:00-9:00 PM BONES
9:00-10:00 PM NEW AMSTERDAM

SATURDAY
8:00-8:30 PM COPS
8:30-9:00 PM COPS
9:00-10:00 PM AMERICA'S MOST WANTED: AMERICA FIGHTS BACK
11:00 PM-MIDNIGHT MADtv
MIDNIGHT-12:30 AM TALKSHOW WITH SPIKE FERESTEN

SUNDAY (Spring)
7:00-7:30 PM KING OF THE HILL
7:30-8:00 PM AMERICAN DAD
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM FAMILY GUY
9:00-10:00 PM THE SARAH CONNOR CHRONICLES

Wednesday, May 16, 2007

Playing Pretend Takes 'SVU' A Long Way



NBC Recap

By Trublu
PTR Staff Writer

What starts off as a normal SVU episode quickly spirals to anything but, in this week before the season finale. A man walks into an empty house where he was working construction, only to find one masked man running out, and another lying in a pool of blood inside. Cut to the perfect scene to show opposite this, Elliot playing poker with his kids. Yeah, so the impending call of doom to Elliot’s cell sort of ruined the warm and fuzzies at seeing Elliot with his family, but that has been the premise of his personal subplot since the beginning.

Now, the first part of this story confused the living daylights out of me. Obviously the sex offender in the neighborhood angle was going to be a bust; if that was the way they were going to play it, they would have advertised it as such. But what I don’t understand was the “Joey” storyline. Had the mother just been part of the really close sex offender plotline, it would have been okay. But she identified the body the detectives had as the body of her son! First off, the ID was funny anyway because five years from the point in his life when that boy went missing to then would have seen a drastic change in his features, changes even a mother may not recognize. Second, it was a little awkward that they just dropped the storyline all together when they found out the boy wasn’t Joey! There was no closure for that storyline at all, and it sticks out as filler for writers that apparently couldn’t write 45 minutes worth of solid story.

I don’t think we’ve seen this for a while: Scott, who taped the murder, comes forward with the tape! And, as we later find out, the punk is the one that killed Riley! (The boy’s real name.) It takes a special kind of idiot to do that. There were no leads in the case, they were about to haul in a convicted sex offender who would stand a paper thin chance in court, and the kid turns himself in! Now, if the kid had a guilty conscience and was trying to make amends, that’s one story. But this kid had motive, opportunity, and means. He wanted Riley dead, and he would have gotten away with it. Mystifies me. Might have been a little more interesting if the writers had given him a reason for coming forward, but this was a good twist just the same.

Something I noticed in that scene was the fact that Cragen was watching the interrogation on the screen in the squad room, and not through the glass. I don’t think he’s ever done that before. Maybe it’s a new tactic to tackle the insane rise in police brutality these past few weeks? Who knows…it’s a mystery with this squad.

Scott’s trial was slightly rushed from the reality point of view. They didn’t have as much evidence as they could have gathered. Casey states when she meets Riley’s girlfriend, Cassandra, after the trial that she had heard about her. Apparently nobody questioned her, since she had character evidence that gave Scott motive and means to kill Riley. They learned about the femeral artery in a science class in school! They didn’t bother to check to see if Scott had learned about his murder method in some way before actually killing Riley? After the verdict has been read, and Scott acquitted for everything, save criminally negligent homicide? Just a tad to late to hand over that info. Play again next time, detectives.

Elliot: How did my desk become the food distribution center?


Oh Elliot. The Chinese is just attracted to his desk, is all. Twas a bit of comic relief, though!

Best twist of the entire story: After the initial scene with Cassandra in her bedroom, I was left thinking that Scott, being the creep that he was this episode, had taken advantage of Cassandra in her time of need. Definitely was feeling the loathing of Scott at this particular moment in time. I didn’t know what to think, though, when we got our Cassandra revelation!

Tiny side note though: Definitely didn’t think Scott was capable of putting out a hit on Cassandra! Man, plowing her over with a car? He just reached a new low when I just thought there was no lower.

Elliot: If a chill just ran up your spine, it’s because a defense attorney just walked in.


So he did, and he’s pleading Scott’s case in the mess that is the Cassandra fiasco. Don’t ya know that Cassandra isn’t 16, she’s actually 28. Which would make any relationship she had with Riley or Scott statutory rape. And doesn’t Scott milk this to its fullest potential, using the opportunity to gain leverage against Cassandra in his trial for attempted murder for her hit. Ugh. The lies!

The ending was definitely disturbing, with Cassandra insisting that she was still 16 at first. The visit from the old foster parent at least got her to drop the act, but even more creepy was her calm and adamant statement that she loved all the boys she’d slept with after she turned 18. If that didn’t send shivers down your spine, I don’t know what will.

Kudos to Misti Traya, who played Cassandra and did an amazing job with the character! She had me believing her every step of the way.

Overall, great effort by the writers, but I want to see a real, gut wrenching episode next week for the finale. There’s a whole slew of people coming in to guest star; Ludacris, Adam Beach, and Judith Light will all be making appearances. Season finale 8, here we go!

The Goodbye 'Girls'

It's hard to believe that after 7 years, those irresistible Gilmore women are not going to be a part of our lives anymore. No more clever, quick banter, no more Paris obsessions (like labels telling the world to leave her orange juice alone on both sides of the container), no more Luke and Lorelei, no more zany Stars Hollow-ians, and most of all no more of the best mother-daughter relationship to ever grace the small screen. Yes, I'm going to miss those Gilmore Girls. I'm relatively new to the show, so I still have the joy of older episodes to discover and yet, I couldn't help but feel a sadness when the show flashed those closing credits for the final time. Maybe it was the realization that we won't be following anymore the adventures of Lorelei and Rory or the thought of these two being separated by something as permanent as Rory's first real job, but something had me feeling that familiar emptiness in the pit of my stomach that seems to rear its ugly head around this time every year.

As finales go, this one was pretty good, especially since it was designed to work as either a series or season finale (not sure how they had planned to carry out the Rory story line next season if they're had been one). I was happy that Rory and Logan didn't end up together, and she was embarking on a career venture that promised to bring good things for her in the future. Lorelei and Luke seem to be on the right path to mend romantic fences, but there was also a clear sense that she was going to be OK if things didn't work out. In a way, the show came full circle, and that's the way things needed to be left. There was no drawn out sad goodbye at the airport, just an early final breakfast at Luke's familiar diner shared between the mother and daughter who made this show so charming. And in that final scene, a sense of ease in that classic Gilmore style coexisting with a harbinger of change. A fitting ending for a series that loved to balance contridictions.

Shows come and go. But it's a real tribute to everyone involved when the characters left behind leave a big enough impact to make you miss them when they're gone. I'm going to miss Lorelei and Rory. TV hasn't met anyone like them, and I'm pretty sure it never will again.

Thank you to the cast and crew of Gilmore Girls for 7 wonderful seasons!!

BREAKING UPFRONTS NEWS: CBS Cancels 'Jericho'


It's the third day of the network upfronts, and that means it's CBS' turn to play the scheduling game. The Eye network canceled freshman drama Jericho, freshman comedy The Class and crime drama Close to Home, but picked up 5 new series. PTR fave Cold Case will return for its 5th season and remain in its current Sunday slot while fellow crime drama Without a Trace will move back to Thursday nights after CSI. The move will push Shark to Sunday nights after CC. Here's a look at the net's new Fall Schedule from its press release:

CBS TELEVISION NETWORK
2007-2008 PRIMETIME SCHEDULE

(N=New, NT=New Time, all times ET/PT)

MONDAY
8:00-8:30 PM HOW I MET YOUR MOTHER
8:30-9:00 PM THE BIG BANG THEORY (N)
9:00-9:30 PM TWO AND A HALF MEN
9:30-10:00 PM RULES OF ENGAGEMENT
10:00-11:00 PM CSI: MIAMI


TUESDAY
8:00-9:00 PM NCIS
9:00-10:00 PM THE UNIT
10:00-11:00 PM CANE (N)


WEDNESDAY
8:00-9:00 PM KID NATION (N)
9:00-10:00 PM CRIMINAL MINDS
10:00-11:00 PM CSI: NY


THURSDAY
8:00-9:00 PM SURVIVOR
9:00-10:00 PM CSI: CRIME SCENE INVESTIGATION
10:00-11:00 PM WITHOUT A TRACE (NT)


FRIDAY
8:00-9:00 PM GHOST WHISPERER
9:00-10:00 PM MOONLIGHT (N)
10:00-11:00 PM NUMB3RS


SATURDAY
8:00-9:00 PM CRIMETIME SATURDAY
9:00-10:00 PM CRIMETIME SATURDAY
10:00-11:00 PM 48 HOURS: MYSTERY


SUNDAY
7:00-8:00 PM 60 MINUTES
8:00-9:00 PM VIVA LAUGHLIN (N)
9:00-10:00 PM COLD CASE
10:00-11:00 PM SHARK (NT)

*NOTE: The Amazing Race and The New Adventures of Old Christine will return at midseason

Tuesday, May 15, 2007

BREAKING UPFRONTS NEWS: ABC Gets 'Lost' at Midseason

It's day 2 of the Network Upfronts, and that means that ABC is at the plate. The network announced its fall schedule today, and as expected, Lost won't make an appearance until midseason where it will begin its first continuous 16-episode run of its three remaining seasons. Meanwhile, the gone-but-not-forgotten Men in Trees will return to Friday nights (8 p.m. est) while Private Practice, the highly-anticipated Grey's Anatomy spin-off starring Kate Walsh, is sandwhiched between an all-new Wednesday night line-up. Here's a closer look at the alphabet network's new schedule courtesy of The Futon Critic:

MONDAY:

8:00 p.m. "Dancing with the Stars"
9:30 p.m. "Sam I Am" (new comedy series)
10:00 p.m. "The Bachelor"

TUESDAY:

8:00 p.m. "Cavemen" (new comedy series)
8:30 p.m. "Carpoolers" (new comedy series)
9:00 p.m. "Dancing with the Stars the Results Show"
10:00 p.m. "Boston Legal"

WEDNESDAY:

8:00 p.m. "Pushing Daisies" (new drama series)
9:00 p.m. "Private Practice" (new drama series)
10:00 p.m. "Dirty Sexy Money" (new drama series)

THURSDAY:

8:00 p.m. "Ugly Betty"
9:00 p.m. "Grey's Anatomy"
10:00 p.m. "Big Shots" (new drama series)

FRIDAY:

8:00 p.m. "MEN IN TREES"
9:00 p.m. "Women's Murder Club" (new drama series)
10:00 p.m. "20/20"

SATURDAY:

8:00 p.m. "Saturday Night College Football"

SUNDAY:

7:00 p.m. "America's Funniest Home Videos"
8:00 p.m. "Extreme Makeover: Home Edition"
9:00 p.m. "Desperate Housewives"
10:00 p.m. "Brothers & Sisters"

"Cashmere Mafia," "Notes from the Underbelly" and "October Road" will premiere after "Dancing with the Stars" and "The Bachelor" conclude their fall seasons.

Monday, May 14, 2007

BREAKING UPFRONTS NEWS: NBC Keeps the 'Lights' On


NBC announced its Fall Schedule today, and two PTR faves made the cut! Look for both Friday Night Lights and Scrubs to return next season. Lights will move to Friday nights at 10 p.m. (EST) while Scrubs will remain in its current Thursday night slot at 9:30 as the comedy block anchor. Here's a look at NBC's full schedule this fall courtesy of The Futon Critic:

NBC PRIMETIME SCHEDULE FOR FALL 2007-08

*New programs in CAPS (with the exception of "ER")

MONDAY
8-9 p.m. "Deal or No Deal"
9-10 p.m. "Heroes"
10-11 p.m. "JOURNEYMAN"

TUESDAY
8-9 p.m. "The Biggest Loser"
9-10 p.m. "CHUCK"
10-11 p.m. "Law & Order: Special Victims Unit"

WEDNESDAY
8-9 p.m. "Deal or No Deal"
9-10 p.m. "BIONIC WOMAN"
10-11 p.m. "LIFE"

THURSDAY
8-8:30 p.m. "My Name Is Earl"
8:30-9 p.m. "30 Rock"
9-9:30 p.m. "The Office"
9:30-10 p.m. "Scrubs"
10-11 p.m. "ER"

FRIDAY
8-9 p.m. "1 vs 100"/"THE SINGING BEE"
9-10 p.m. "Las Vegas"
10-11 p.m. "Friday Night Lights"

SATURDAY
8-9 p.m. "Dateline NBC"
9-11 p.m. Drama Series Encores

SUNDAY (Fall 2007)
7-8 p.m. "Football Night in America"
8-11 p.m. "NBC Sunday Night Football"

SUNDAY (January 2008)
7-8 p.m. "Dateline NBC"
8-9 p.m. "Law & Order"
9-10 p.m. "Medium"
10-11 p.m. "LIPSTICK JUNGLE"

Thursday, May 10, 2007

'SVU' Annihilates a Chance at a Good Episode



NBC Recap

By Trublu
PTR Staff Writer

Unfortunately, what seemed like a very well trained perp who was cleaning up after himself turned out to be the maid who accidentally cleaned up after a very messy perp. More interesting, however, is the fact that the fiancé of the victim is a CIA operative!





Did you catch it? Fiancé Stephen really isn’t in the CIA; too many people knew! An operative going on assignment in countries that are experiencing a lot of turmoil like Indonesia is would have never revealed their assignment, not even to their fiancée. This was good for the story, though, because what was blatantly obvious to us makes us think about what the people around him were thinking.

And of course, that means that Conspiracy!Munch was on the case! Munch takes the opportunity, yet again, to remind us that big brother is watching… in those exact same words. Couldn’t the writers find another phrase to use here? He is handy with the satellites, though, and ends up pinpointing Stephen’s location.

Before that though, there is a rather funny scene with Elliot talking to a CIA contact.

Elliot: You owe me… remember McFaddens, the blonde?


The comic relief continued in the next scene, with the unfortunate teen in the store:

Elliot: Do you know where this guy lives?
Clerk: No… wait, I know where Muffin (his dog) lives, does that help?


The kids running out of the door of “Muffin’s” house is a dead giveaway to the double life scenario that is about to unfold, if you are someone that maybe didn’t catch on to the CIA thing right away.

Elliot: Most exotic place he’s been is… Cater, Illinois?

Obviously, Stephen (whose real name is Malcolm) isn’t the most exciting guy in the world, made plain through that statement. The CIA operative story, the trip to Jakarta, the honeymoon in Hawaii, that was all carefully constructed by him to make himself look more interesting. Something to file away for later.

Elliot: (Asking Malcolm what he tells his wife) Can’t spend the night, honey, got to go make the world safe for democracy?


(Just a bit of historical context: the phrase played a major role on U.S. entry into WWI and WWII, when the country felt it needed to protect against newly Communist Russia during WWI, and then protect Great Britain, the last democratic stronghold in Europe during WWII. Doesn’t really have anything to do with the comment, I don’t think, but just so everyone knows that it isn’t a random statement. There is a chance that I just missed any meaning that the writers meant to convey. [/tangent])

Something that everyone could relate to, though:

Elliot: Have you ever tried to put three kids to bed hopped up on pizza and soda?
Cragen: Maybe Malcolm has the magic touch?
Elliot: Cannot be done, trust me.

Turns out it either can be done, or Malcolm just left his wife with the task. Sound like he leaves his wife to do everything all the time, but the way that she explodes after Olivia and Elliot interrogate her.

Lindsay: I bet you’re married. Did it ever occur to you that your wife might want to do more than make beds and cook dinner?
Elliot:…


Nailed it! This definitely is the first of the final jabs at Elliot’s confidence during this case. He’s so thrown that he has to leave the room and go outside for some fresh air. While he’s talking to one of the kids, he mentions that his mom was talking to their neighbor, telling her that Malcolm was sick because he had a “dirty little”… well, the rest is obvious. But, coming from a six year old! Censor please!

Upon returning to the house later that night, Elliot and Olivia find all the children and Lindsay dead, and Malcolm with a wound to the head. He claims that Lindsay went on a rampage to punish him, supported by the fact that the gun is on the floor by Lindsay. But, an inconsistency which I noticed (and one that never was resolved) was the open door. Olivia clearly stated at the beginning of the scene that the door was open when they got the house, but why?

Here we see the obvious Elliot portion of the episode. He’s been thinking about Dani ever since they found out that Malcolm was living a double life, and explained that he loved both his wife and Cynthia. While he didn’t love Dani, the fact that he was frolicking with her while he wasn’t technically divorced is bothering him. The scene where he “breaks” the news to Malcolm that his family his dead also makes Elliot go nuts, and he eventually has to go home to check on his kids.

Now, if the writers had just stopped at Kathy asking Elliot to spend the night, then all would have been well in the SVU world. But, of course, they couldn’t stop there, they had to do an almost sex scene, something I do not want to see on SVU. Ever. (Unless its Olivia and Casey, and then we can talk. I am a C/O shipper, after all…)

I did manage to find the pause button before I began to claw my eyes out at that scene. The following scene really wasn’t any better, with Kathleen telling her father that he shouldn’t be using them as a “booty call.” Uhm… remember who filed for divorce in the first place, yes?

The CSU tech finally finds evidence to support the obvious; Malcolm killed his family and shot himself where he knew it wouldn’t kill. Elliot is in interrogation with him when he’s called out by Cragen. They’ve found only his prints on the lockbox for the gun (disproving the Lindsay theory), they found that the trajectory angles don’t match, and to top it all off, have him for Cynthia’s murder too because he was stupid enough to leave a “murder via snapping necks, for dummies” book around.

But of course, Elliot has to do things his way, and gets Malcolm into a chokehold to make him confess. Another tactic (like in last week’s Olivia episode) that should never stand up in court, but is never addressed anyway. And, to add to things, why is Elliot the only one that’s called to work this case? How about calling in Fin or Munch, since they hardly get used during regular investigations?

To top it all off, the ending was just plain horrible. We got our obligatory scene with Malcolm going down for all the murders, but the shot of him ignoring everyone else and walking out of the squad room was cheesy.

SVU seems like it’s slipping again. Hopefully, they can regain their footing for the last two weeks of May sweeps.

Tuesday, May 08, 2007

Save the Girl, Save the World

This week on Heroes it was all about "Save the Little Girl, Save the World" because Molly has the ability to see the location of anyone she wants. Problem is, she had a deadly disease that blocked her ability, so she needed to be saved in order to stop Sylar. Mohinder lost his sister to the same disease, but his father had discovered the cure a couple of months too late. Turns out, Mohinder was the cure. He had the antibodies inside of him, which was the reason why his parents had him -- to save his sister. Of course, his purpose became even more important when he met Molly. Nice follow up with her since she was the little girl hiding in the closet earlier this season after Sylar murdered her parents. I'm curious to see how big of a role this little girl plays in the two final episodes of the season. Sylar seems to be growing more and more unstoppable, but I'm not convinced that he's the one exploding in the middle of New York City. How was he able to interrupt Hiro's time freeze at his mother's apartment? He killed his own mother (perhaps inadvertently) and didn't seem to mourn the loss. With each power, he's becoming more and more emotionally disconnected. His mother's disappointments in her son seem to be fueling this rage and need to feel important.

Elsewhere, Nathan is proving to be the true snake in the grass that I always believed him to be. He's such a waste of a character, and it's totally unfair that he got the flying power. He's in Linderman's pocket, and even though he's not in favor of Linderman's plan to blow up NYC in order to rallying everyone together, he's going along with it so far. Maybe it's the fact that he's a politician, but I just can't stand Nathan. Claire needs to high-tail it outta there, stat! Meanwhile, Micah seems to be in the most danger. He's in Linderman's custody and he's supposed to be the one who ignites into the bomb. Jessica and DL stumbled upon more evidence that seems to indicate that Linderman designed the heroes and chose who he wanted to give the powers to through a lot of extensive research. And things took a dire turn when Peter met nuclear man! Someone's going to blow, the only question is, who??

If you missed tonight's episode, you can watch it for free at nbc.com. The photo in this edition is courtesy of nbc.com.

Monday, May 07, 2007

Underdogs Win the 'Race'

Sorry to have abandoned you fellow TAR fans. I have been watching and cheering (and booing when it comes to Mirna) these past couple of weeks, but I haven't been able to type up my "live" thoughts. That's because I haven't been watching the show live. I was out of town and then at a meeting for work, so TAR was put on hold. There was no way, however, I was missing the big finale. How else would I cheer with you all when the blondes or Eric/Danielle cross the finish line in first (please happen, please happen) or share my frustration by crossing my arms and stomping like a 4-year old when Mirna makes me so angry I want to throw something at my way-too-expensive HDTV?? So, it's time to resume PTR's "live" thoughts on TAR for the final time this season (how did we get to the end already??).

Did the teams not get the mandatory 12-hour rest period this leg? I ask because Phil usually says, "Dustin and Candace, who were first to arrive at 11:53 p.m., will depart at 11:53 a.m.," but this time he left out the first 11:53. Hmm... very phishy, Phil.

What?? No airport drama??!! I demand at least one dose of airport drama per an episode! Here we go, Charla and Mirna are attempting to get on a flight that gets into Honolulu 40 minutes before everyone else. As per usual, Mirna is acting like her entire life depends on making this flight when she has to know that it's way too early in the leg to think that 40 minutes is the difference between winning the million. I better not end up eating these words, TAR gods.

Someone needs to explain the difference between a plane and a helicopter to Mirna. She seems to be very confused by the two flight vehicles (Hey Mirna, here's a hint: the plane has WINGS!!).

I love it! Charla is breezing through the Detour while Mirna is struggling! And yet, I don't hear Charla berating Mirna the way that Mirna does her when the roles are reversed.

Who would have thought that a small water cave would the mighty blondes' Achilles heel??

Folks, we have ourselves a race! The other teams just caught Charla and Mirna as they were attempting to traverse the rocky coastline to their next clue. Charla is having a difficult time with all of the rocks, and surprise, surprise Mirna is giving her a hard time because the other teams are passing them. Hey Mirna, remember like 5 minutes ago when you were having trouble and Charla encouraged you instead of berating you?? Where's the love in return?

Not another paddling in the ocean challenge! This was so hilarious the first time when TAR did it last season, so I have high hopes for tonight. Even Dustin and Candace are fighting! Ironically enough, it was the one moment when they fought last season as well. Something about paddling against impossible ocean waves and currents just seems to bring out the worst in people (remember Rob and Kim?? HI-LARIOUS!!!). Eric and Danielle are on their way back, the blondes are capsized, and Charla and Mirna are practically still back on the beach. Awesome as I expected!

It's a beauty queen breakdown - their one this race. I'm pretty sure that the last breakdown (last season) was something like this one. These two need to avoid paddling in the future. Their friendship depends on it!

Overdramatic Mirna is proclaiming the paddling challenge the "worst experience of her life." Wow, good thing she wasn't around last season with the other paddling because she never would have gotten through that one. This one was a walk in the park in comparison!

The blondes are wondering if there is a counter where you buy tickets. Hmmm... tough question. Perhaps, the TICKET COUNTER?? See, I'm an equal opportunity chop buster.

For those interested, I'm still pondering the Danielle cleavage question from a few weeks ago. To review, do we think her ample chest is always in the shot because the cameramen love to focus on it, or is it impossible not to film because she wears the lowest cut workout attire ever constructed? Right now, I'm leaning toward the latter, but things could change.

Tricky, tricky little challenge here at The Old Mint. I can't wait to watch this unfold!! This is one of the most intense moments ever on TAR. It rivals that crazy map at the end of the family edition a few seasons back. Dustin should have stuck with Rob and Amber as the least trustworthy. Go Danielle!! She cracked the code and opened the safe. And the blondes aren't far behind. Fingers crossed that one of these two teams wins.

Cue the editing that makes it look like any of the three teams could win it complete with Eric/Danielle stuck in traffic shots and the blondes breezing through lights shots. I'll be damned, though, because I am at the very edge of my seat due to that tricky editing. Yes, I'm easily manipulated.

And the winner is.... ERIC and DANIELLE!! They managed to come back from two Yields, bad flights and a whole lot of backstabbing. I'm excited, even if it means that we still haven't had an all-female team cross the finish line in first. The blondes ended up second, followed by Charla and Mirna.


Were you happy with the results of the race? Or were you hoping to see another team take the million? Leave me a comment with your thoughts. The pictures in this edition are courtesy of cbs.com.


Veronica Needs Your Help!! Click HERE to find out what you can do to help Veronica Mars get another season.

Sunday, May 06, 2007

Shots Ring Out on 'Case' Finale

Poor Matt Roush. The TV Guide columnist is going to get bombarded this week with panic-stricken emails from fans concerned that Kathryn Morris is leaving Cold Case. And while I'm not going to be one of them, I will be logging onto his column as soon as it's posted this week just to be sure that she's not. Of course, the rational side of me knows that they wouldn't dare kill off Lilly Rush. After all, she's the entire show. The show is about her. Obviously, she can't die! Right? Right?? When they said 2 CC detectives would get shot, I was pretty sure that one of them was going to be Lil, but I never imagined that she was the center of the cliffhanger. My poor stomach can't handle a cliffhanger like this one all summer. Moving on because if I don't, this post will be Super-sized beyond belief. There's so much to talk about tonight, so let's just start with Lil's mom. I know I should have seen it coming, but somehow I didn't think they'd kill her off. When Scotty showed up at Lil's, I figured her mother had run off because she didn't want to be a burden. She had sorta made her peace with her daughter, and I figured it was a good time for her to exit. However, I never imagined that it was going to be forever.

I can't believe I'm even going here, but this was a big night for fans of a Lilly/Scotty pairing. We had the scene where he showed up at her house, comforted her after finding out that she lost her mother, and then assured her that if she needed him, she only had to say "Hey" and he'd come running. Interesting, but I shrugged it off (as I always do because I really don't think this show would ever go there). Then, there were the final scenes of the night and things took an even more interesting turn. Lilly wisely separates the gunman from her injured boss so the others can tend to him, but she puts herself in great danger by entering into the observation room alone with him and Kim. She needs help, so she calls Scotty to cash in her "Hey" card. It works, but he can't see through the glass into observation. He sees a mirror, and has to go on Lil's "You want to shoot me? Shoot me now" commands to the gunman. So, he shoots and gets the gunman. But, who shot Lilly?? It seemed to me that Scotty was pretty sure that he did it. Wow, that's some serious guilt. Lil doesn't clarify the situation any because she simply mumbles, "he got me."

This episode ROCKED!! I was completely invested in the case, profoundly sad for Lilly when her mother died, and overwhelmingly shocked when her life hung in the balance at the end. It was emotional, moving and so intense that I'm still sitting on the edge of my seat. Easily one of my favorite hours of television this season. Come to think of it, Cold Case was pretty damn awesome this season from top to bottom. Bravo CC gang, bravo!! You move to 22-2 on the season (this finale was so good that it erased the indifferent or "tie" episode that used to make up the 1 in the count).

How rockin' was tonight's soundtrack?? We had Snow Patrol, Coldplay, Jet and my current fave song "Stolen" by Dashboard Confessional at the end (for those of you experiencing deja vu, the song was also used at the end of Scrubs this week).

Sunday's Primetime Pass: 'Cold' Season Finale

A look at what PTR is watching tonight...

MUST WATCH PROGRAM OF THE NIGHT:
Cold Case (9 p.m. CBS) - "Stalker." SEASON FINALE A hostage situation erupts and the cold case team must negotiate quickly before they lose one of their own. TV Guide has an excellent preview of tonight's edge-of-your-seat season ender. Executive Producer Veena Sud tells the magazine that this won't be your typical outing. "Our detectives are getting shot," she reveals, but she stopped short of IDing tonight's victims. For more from the TV Guide article, click HERE (WARNING: Spoilerish).


The Amazing Race (8 p.m. CBS) - "Low to the Ground, that's My Technique." SEASON FINALE The final three All-Star Teams Race towards the finish line for their second chance at one million dollars and, for two teams, its the chance to become the first all-female team to win the Race.

Without a Trace (10 p.m. CBS) - "Two of Us." The team searches for a teenaged girl who disappeared during her prom after reportedly leaving the festivities to rest alone in her hotel room upstairs.


Veronica Needs Your Help!! Click HERE to find out what you can do to help Veronica Mars get another season.

Saturday, May 05, 2007

Eliot's Rules of Engagement

JD has always been one of those people who wants something until he gets it. This is particularly true when it comes to Eliot, so it's no surprise that he now finds himself in the awkward position of feeling sorry for himself while his best friend is floating on cloud 9 (and why cloud 9, by the way? Why not 8 or 10 or even 2??). I'd feel sorry for him except he's the one who had Eliot and dumped her like she never even mattered. Foolish, foolish boy. Anyway, there were plenty of funny things to distract us from JD's pity party (which, BTW, had a fabulous soundtrack - more on that later). We had Eliot planning her own perfect engagement, Jordan's Botox-ed armpit (no sweat!), the "John Dorian 3 Step Seduction Plan," everyone's images of marrying Eliot, JD's non-twin, and Janitor's "God is watching" trick. Now, here's a look at the best, funniest and all around awesome lines in this week's edition of the Scrubies.

The Scrubies
"Just get the mother-frickin' ring on my mother-frickin' finger! Frick, frick, frick!!" Eliot to Keith after the engagement ring didn't fit

"Sorry to hear about your placing second in the Dr. Reid-a-thon." Dr. Kelso to JD after hearing about Eliot's engagement

"Sadly, it's only in the movies where the pretty girl ends up with the ug-o." Dr. Kelso to JD regarding Eliot

"If you weren't emotionally ready, would you want to have sex?" Carla to Turk
"Baby, I don't even understand the question." Turk

"Look when people get old, there are certain things they're no longer able to do like drive a car over 20 mph or smell like the living, but one thing they damn sure can do is have sex until they croak." Dr. Cox to Eliot after she's shocked to learn that her two elderly patients have syphilis

That's this week's edition of the Scrubies. If you have a line that you would like to nominate for a Scrubie, drop me a comment and I'll publish it in a future edition. As always, if you would like to discuss this week's Scrubs episode, leave me a comment with your thoughts. If you missed this hilarious outing, check it out on iTunes.

That awesome track at the end of the episode (during Eliot's second engagement) was Dashboard Confessional's "Stolen." You can get it at iTunes.


Veronica Needs Your Help!! Click HERE to find out what you can do to help Veronica Mars get another season.

Friday, May 04, 2007

Sawyer Gets 'Lost' in His Revenge

I actually wasn't lost watching Lost this week! I knew what was going on long before the "shocking" twists were revealed. Of course, this is Lost, so I only had one story line figured out. I knew that Locke wanted Sawyer to kill his father and I quickly figured out that his father was Sawyer's namesake. I'm pretty sure this was a first for me. In addition to feeling like I had a frickin' clue, I was also excited to get a break from another tired flashback. I enjoyed Locke's island flashback and how it proved that our favorite mystery man is fully committed to becoming an Other in order to learn the island's secrets. But the most intriguing part of this outing was once again the parachuter. According to her, authorities found Flight 815 in an ocean cavern off the coast of Bali with the bodies of all of the passengers inside. Additionally, Locke's father was in a horrific car accident one minute and on the island the next. So, is the Lost island some sort of Purgatory? For the record, the showrunners insist that it's not, leaving us more Lost than ever. And then there's Jack and Julia's secret. When Kate told them about the parachuter and her satellite phone, neither seemed very surprised. Julia went as far as to say that Jack needed "to tell her." What? Well, your guess is as good as mine. Doubt we'll find out anytime soon since it seems that our favorite Other is about to be outed.

So, what did you think about last night's outing? Leave me a comment with your thoughts. If you missed this week's episode, you can watch it for free at abc.com.


Veronica Needs Your Help!! Click HERE to find out what you can do to help Veronica Mars get another season.

Thursday, May 03, 2007

BREAKING NEWS: 'Gilmores' Prepare to Say Goodbye

From The AP:

`Gilmore Girls' to wrap after 7 years

By LYNN ELBER, AP Television Writer
Thu May 3, 4:29 PM ET

LOS ANGELES - Goodbye "Gilmore Girls." The sharp-witted saga of an independent mother and daughter that added to the luster of the young WB network, will end its run after seven seasons.

The show, which last year moved to the CW network created by the merger of WB and UPN, will air its final episode May 15 at 8 p.m. EDT, CW and producer Warner Bros. Television announced Thursday.

"Gilmore Girls," starring Lauren Graham and Alexis Bledel and created by Amy Sherman-Palladino, "helped define a network and created a fantastic storybook world featuring some of television's most memorable, lovable characters," CW and the studio said in a joint statement.

They thanked fans for their "passionate support" promised to give the show "the send-off it deserves."

Ratings had dipped this season for the series, which lost Sherman-Palladino as its guiding hand because of a contract dispute.

The drama with comic overtones followed the lives of single mom Lorelai Gilmore (Graham) and her equally bright and beautiful daughter as they grew up together, struggled through romances and tried to find their place in the world.

Rapid-fire patter, the series' hallmark, delighted fans but took a toll on its cast.

"Getting the language perfect requires a number of takes that you might not have on another show," Graham told The Associated Press in January 2006.

"It's just a lot of work — 13, 14 hours door to door. I've missed weddings, I've missed babies being born. I'm not complaining, because of what it has brought me, but I would be ready for a different balance."

Sherman-Palladino and her husband and fellow executive producer, Daniel Palladino, left after failing to come to terms with the studio on a new deal, and the series struggled creatively and in the ratings this season.

The April 24 episode drew fewer than 4 million viewers, down about 25 percent compared to the same time last year.

As production on the show got under way last fall, its future then uncertain, Graham speculated about the final chapter.

"I care very much how the story ends," Graham said told the AP. "... It would be my worst nightmare if we end the show with a wedding. To me, the premise of the show was, `What if your parent was your best friend?'"

"That's the thing you leave people with, the strength of this family and this relationship," she said.




It's going to be sad to say goodbye to this show. I've come to love the Gilmores and all their crazy antics. Let's hope it goes out in style on May 15th.

"Florida" Holds Some Surprises for SVU



NBC Recap

By Trublu
PTR Staff Writer

The long anticipated episode where Olivia finally confronts her past has finally arrived! There was something for every viewer in this episode (as long as you’re a fan of Olivia, of course). Before the real fun begins, we are shown the inside of the interrogation room, where Elliot and Olivia are trying to get a perp to confess, without much success. They are doing their beloved “good cop, bad cop” routine, with Olivia being the bad cop this go around (as if we expected anything else for this episode).

Things are going well, or so it seems, until Cragen pulls Olivia from the room. FBI agent man is back on scene, and he wants to know why Olivia sent money to Simon! *Collective gasp.* Here starts the great moral dilemma of the episode: why would Olivia send Simon money? On one hand, he is her brother, and family always changes things. However, on the other hand, Olivia has never been a real family person (the fact that she didn’t have a lot of family could have been an influencing factor) and there is strong evidence against Simon for the rape. Normally, Olivia won’t put up with rapists, never mind fund their potential escape.
Threatened by a photo that doesn’t exist (she’s been “Copped!” *think “Punked!”*) Olivia admits to FBI guy that Simon is her brother, and he seems to understand why Olivia is acting the way she is. Captain Julia, however, doesn’t see through Olivia’s act, and accuses her of being in love with Simon. *Ugh.* It was almost painful, listening to Julia describe how Benson must be so desperate that she picked a rapist, but the scene clearly illustrates her hatred for Simon, and so it was actually very well done.

Now we’re back to the original perp from the beginning of the episode that no one remembered or was paying attention to anyway. Good cop, bad cop is gone; now it’s just bad cop. Olivia gets in some good (cheap?) shots before Elliot and Cragen come in to break up the party. Ironically enough, the perp accuses Benson of having a thing for rapists. Him and Julia must share a brain!
The next scene was something I never thought I’d see on SVU: Cragen actually touched somebody. *Second collective gasp.* I know, I know, everyone was in shock over this one. Especially since he was grabbing Olivia by the arm! Did anyone else see the mixture of fear and disbelief in Olivia’s eyes? That’s by far something I wasn’t expecting, even more so than the bodily contact of two main characters on the show.

Elliot: What were you doing?
Olivia: Oh, the poster boy for rage is going to tell me how to handle my anger?


To that I say: ouch. Just plain ouch. This is a classic case of “Olivia is really angry right now” syndrome, where Olivia chronically hits below the belt when she’s annoyed or feeling trapped.

Simon: You’re so screwed up you can’t believe there is good in anyone.


This is where the episode stops being about just Simon and starts involving Olivia’s dad. Even though she knows he is dead, her disgust with what he did to her mother is something that she carries with her every day, and it influences the decisions that she makes. Her decision to become part of the SVU is an obvious one that is a byproduct of her origins. The fact that she’s never had a relationship last longer than half an episode is another such situation. Olivia looks with such distain at her brother when she thinks about what he’s done to his victims, just as her dad did to his victims. She tells FBI guy after he flees from the bookstore that he tried to run over her with his car.

Making matters worse for Olivia but better for us is the conversation that Olivia and FBI guy have at Simon’s mother’s home. Even though she has Alzheimers, she remembers the past clear as a bell, and can remember Olivia’s father talking about her daughter, and even attempting to contact her once. This naturally leads Olivia to more questions. (The episode should have been called “Questions” instead of “Florida”.) She begins to believe that her mother lied about being raped in the first place. However, Olivia declines to a rendezvous in Florida, where Simon’s mother indicated he owned a home.

The writers ruin all the wonderfulness with an absolutely horrid cut scene and voice over my Mariska/Olivia. It shows her going through each case that was similar to her mother’s, after learning from an employer that her father’s company supplied college dining halls (where her mother worked). She finds other cases with the same pattern, and even visits one of the victims, who tells her to go away. She is explaining all this to Huang, who is presumably sitting patiently in the background while Olivia spills all. Presumably is all we’ll ever know, though, since while Olivia was talking we were watching her in some sort of horrible flashback sequence!

At least we know that Olivia’s senses are at work, since when she gets home she senses Captain Julia lurking mysteriously. While at the station making a statement, Olivia pulls off an awesome feat: using the famed “fake call on your cell phone” trick, she manages to steal some evidentiary photos and confirms that they aren’t real.

Finally everything falls into place, as Olivia learns that Julia’s sister OD’d on drugs (remember waaaaay back to “Philadelphia?”), and that Julia had probably figured out where Simon lived. Thanks to a miraculous memorization of upstate New York by Elliot, everyone finally realizes that “route 94 in Florida” is actually “route 94 and Florida” an intersection address. The arrive to gunshots, and the most pivotal part of the episode begins.

If family always changes the situation, then having your brother being the one holding a gun to a shot and bleeding captain is an awkward situation indeed. Olivia’s ability to trust (or lack thereof) comes into major play here, since she essentially has to pick Julia’s story over Simon’s, or vice versa.

I was actually watching my TV non-stop through this segment; no notes, lots of flies were allowed to fly into my slack jawed mouth, and the scene alone could earn Mariska another Emmy nomination, very easily. And, this supplies multitudes of directions for the writers to go with Olivia. Her “trust floodgates” have been opened, and Simon is definitely on her radar, now that she knows he’s innocent. She also thanked Elliot for trusting her, another major step.

My guess is that even with the staggered filming (next week does look like an Elliot week) we’ll be seeing a lot of Benson. More specifically, Benson and family related issues, because that storyline is definitely not over yet.

Overall, I give “Florida” one of the higher ratings of the season, though it was no “Responsible”.

Wednesday, May 02, 2007

Strange Happenings on 'Mars'

Go ahead and revoke my Veronica Mars fan club card because I LOVE the new "stand-alone" format. I know, I know we're only one episode into it, but I think it's going to be very good for the show. It's less bulky because I don't feel like they're trying to cram 2 hours worth of stuff into a 42-minute episode (without commercials, this is all we get on average). Plus, it's difficult to keep all of the mystery details straight from week to week sometimes. I say bring on the self-contained mystery-of-the-week and give us plenty of character drama that extends from episode to episode, and I'm a happy Veronica viewer. Speaking of the character drama, it seems we have ourselves a nice little 4-way love triangle (Love square? Rectangle?). It's no secret that I want Logan and Veronica to end up together (I can't help myself!), so watching them with other people and then watching how they responded to seeing each other with someone else was heartbreaking. Here I was thinking that Logan was totally fine with it and had moved on with Parker (he put their picture on her frickin' birthday cake for crying out loud!), and then he falls apart when he sees Veronica kissing Piz. Maybe his so-into-Parker routine complete with said cake was all to show Veronica that he's not the immature weasel that she has always known. After all, he made it clear to her that he's going to class, knows how to use a highlighter, and perhaps most importantly, can fully commit to someone without even thinking about the Madison Sinclairs of the world (much to Dick's chagrin). Veronica, meanwhile, is busy convincing herself that she has feelings for Piz because it might make her forget about Logan and spare her from feeling so lonely. Good luck with that, V.

Veronica didn't have a lot of time to dwell on either issue because she had her hands full with a hate crime involving ill-fated lovers and anti-American propaganda. I liked how this one played both sides while also stressing the importance of talking to one another before we assume something based on race or ethnicity. It was nice to see so much devotion to the case-of-the-week and the personal stuff thanks to the new format. I think I seriously forgot how good this show was while it was gone for like half a season. Yes, life is certainly perfect on Mars as we've come to expect. This is why it cannot get cancelled!!

If you missed last night's excellent hour ("Un-American Graffiti"), watch it for free at cwtv.com or download it for $1.99 from iTunes. The picture in this edition is courtesy of cwtv.com



Veronica Needs Your Help!! Click HERE to find out what you can do to help Veronica Mars get another season.

Tuesday, May 01, 2007

Tuesday's Primetime Pass: 'Veronica' Returns!!

A look at what PTR is watching tonight

MUST WATCH PROGRAM OF THE NIGHT:
Veronica Mars (9 p.m. The CW) - "Un-American Graffiti." Veronica (Kristen Bell) is hired by a Middle Eastern restaurant owner to find out who has been vandalizing their business with ethnic slurs. While investigating the case, Veronica and the restaurant owner are attacked in a drive-by shooting. When a drunk teenager stumbles from a bar and gets hit by a car, Keith (Enrico Colantoni) orders his deputies to conduct surprise ID checks in all the area bars.

Gilmore Girls (8 p.m. The CW) - "Lorelei? Lorelei?" With graduation looming, Rory (Alexis Bledel) is anxiety-ridden over her future, so Lorelai (Lauren Graham) tries to cheer her up with a day of eating and shopping. Lorelai notices happily that Luke (Scott Patterson) is once again wearing the baseball cap she gave him, and invites him to join her and Rory for karaoke night at a local bar.


Law & Order: SVU (10 p.m. NBC) - "Florida." Det. Olivia Benson (Mariska Hargitay) is called upon to help in an investigation regarding her brother Simon Marsden (guest star Michael Weston). She finds herself caught in the investigation of her brother between Police Captain Julia Millfield (guest star Kim Delaney) and FBI Agent Porter (guest star Vincent Spano).



Get even more of your TV fix at PassTheRemote.net! A comprehensive television site with news, reviews, photos and much more!

Sunday, April 29, 2007

The 'Cold,' Slow Death

The entire time I was watching tonight's episode of Cold Case, I had that pain in the pit of my stomach that's usually reserved for things like The Notebook or Stepmom (which incidentally, I refuse to ever watch again). You know where the story is leading, but the process to get there is actually worse than the end result. That pain in my stomach was two-fold tonight as we watched Jay succumb to his non-operable brain tumor and Lilly come to some sad resolutions regarding her mother (more on that later). CC is gifted with paralleling story lines without beating us over the head with the similarities, but tonight's outing was off the charts. I couldn't believe how perfectly they worked this one out. Not only were they beautifully congruent, but each made the other even sadder. Yes, these story lines had a symbiotic relationship that made this one even more powerful than it would have been without the double impact. As interested as I was to learn who had helped Jay end his suffering, I was even more interested in his mystery flashes involving "Louise" and the beach. Loved that it ended up being nothing more than a happy moment with him and his family. And I'm not sure why, but that last seagull at the end after Jay died made the entire scene that much more poignant. For some reason, I'm not a crier with this show (which is VERY weird because I cry at pretty much every sad movie -- I was convulsing at Stepmom, hence the decision to never watch it again). The thing about the sad movies, after they're over and I leave the theater, I'm pretty much over it. However, the problem with CC (despite the no-crying thing) is, these episodes stay with me a while and haunt my emotions. I'm just not sure which is worse. Either way, I walk away moved and impressed that an hour-long episode about characters I'll never see again (excluding the regulars, of course) managed to accomplish such a feat.

Lilly's "Mama Drama" (TM Look Again) is moving me more than I ever would have expected. The show has done a beautiful job developing this complicated, emotional story line. We know that Lil is big on only remembering the bad times -- it's her coping mechanism because it allows her to keep enough distance from the person so they're unable to hurt her in the future, however, I didn't think that she'd lie to her mother about not remembering the bedtime stories. All that resentment and anger has allowed her to cope, but it has also done her a huge disservice, and I think that her mother's (assumed) pending death and this case may have woken her up. I feel sad for Lilly because she's losing her mother and all she can do is stand by and watch. But, I'm also sad for her because she has wasted so many years filled with resentment toward the woman who, admittedly wasn't mother of the year and made a lot of mistakes, but at the same time loved her. You can't help someone who doesn't want to be helped, so Lil is forced to make the best of the time that she has left so she doesn't make the same mistake that Tommy did with his father. So, she opened the old box filled with happy memories and pulled out The Velveteen Rabbit to read to her mother just as her mother had done for her in one of those previously repressed happy memories. It just might have been the most poignant scene of the night, and that's saying a lot for an episode that kept that sad feeling in the pit of my stomach working overtime. Cold Case moves to 20-2-1 on the season with this exceptional outing.

I did want to give huge props to Kathryn Morris for her emotionally charged performance tonight not only during the scenes with Lil's mother, but also for that kick-ass interrogation scene at the end that deserved a standing ovation. She always brings the right amount of emotion without taking it too far, leading to a subtlety that makes the character that much more real.


Veronica Needs Your Help!! Click HERE to find out what you can do to help Veronica Mars get another season.

Sunday's News & Notes

~Primetime Pass~
(a look at what PTR is watching tonight)

Cold Case (Sunday 9 p.m. CBS) - "The Good Death." When a nurse confesses to six mercy killings, the cold case detectives re-open the 1998 case involving a terminally ill man who died under a cloud of suspicion. Emmy Award Nominee Meredith Baxter ("Family Ties") Guest Stars


The Amazing Race (Sunday 8 p.m. CBS) - "Oh My God, the Teletubbies Go To War." While in Guam, one Team is overcome by feelings of patriotism while visiting the U.S. military bases. Not even the thrill of zero gravity can stop one Racer from urging the crew of the plane to race faster. And for the first time, two all-female teams compete for spots in the final three.

Without a Trace (Sunday 10 p.m. CBS) - "One and Only." As the team investigates the disappearance of a divorce court judge, their suspects include a long list of husbands the judge ruled against in recent cases as well as an unknown man who was recently seen threatening him.

QUICK CUTS
*My fellow TV blogger Tube Talk Girl has an interview posted with Nip/Tuck's Kelly Carlson (Kimber). Of course, Everwood fans will recognize Carlson as the girl who broke up Hannah and Bright on the much-missed series. Click on over to Tube Talk to read the exclusive interview and get the dish on whether or not we can expect to see Carlson on Dancing with the Stars, what it's really like to shoot those hot and steamy scenes with costar Julian McMahon, and what she thinks about all the famous guest stars who have appeared on the hit FX series.

*Fans of Fox's House can own one of their favorite "House-isms" in the form of new t-shirts for charity. According to the press release, "The shirts are emblazoned with the phrase 'Everybody Lies' – one of the first and perhaps best-known of the phenomenon known as “House-isms,” the biting but always accurate one-liners uttered by the brilliant diagnostician Dr. Gregory House (Hugh Laurie). The tees are high-quality American Apparel 100% cotton shirts, and also come packaged with a special thank-you card from the cast." Each shirt is $19.95 and proceeds will go to NAMI, The National Alliance on Mental Illness. Click on over to www.housecharitytees.com to get your piece of the hit medical drama.

*And finally, thanks to the good folks at CBS, PTR has a great shot from tomorrow night's new episode of How I Met Your Mother. In the episode, Barney (Neil Patrick Harris) meets Bob Barker and gets all the way to the Showcase Showdown on Barker's popular Price is Right gameshow. The hit comedy airs Monday nights on CBS. Here's the hilarious shot from tomorrow night's outing:



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