Wednesday, September 10, 2008

'Fringe' Benefits

In TV Guide's Fall Preview issue, Fringe's executive producer J.J. Abrams (he of Lost and Alias fame) promises that his newest series will not require the "insane dedication" of his earlier intricately involved series. As an avid Lost fan (and occasional Alias viewer) all I can say is, "Thank god!" Still, I was a bit apprehensive about delving into Fox's new intrigue series. Sure, the promos looked good, the premise (an elite group of FBI agents investigate a pattern of strange events centering around fringe science) interesting, and the buzz was strong, but I was concerned that I would get sucked into a vortex of Lost proportions. I would never be able to claw my way out and I'd be reduced to writing about how confused I was and how much I longed for answers to the point where the smallest morsel would be enough to tied me over (Lost, I do love thee despite these issues). Luckily, last night's series premiere relieved some of these fears. While very engaging, this show seems to be less involved and more importantly, less caught up in its own mythology. Hopefully, this trend will hold because I seriously can't take on another Lost. My plate is too full already.

We're only one episode in, and Fringe has already managed to surprise me. I didn't see the big twist coming with the rogue agent. And once the murdering twin dropped the "FBI is involved" bombshell, I went straight to the top, as in, the guy running this elite group of FBI agents (whom Lost fans may recognize as the Oceanic Airlines representative who visited Hurley in the psych ward in the future or present or whatever those flashforwards are supposed to be). I realize that they needed to eliminate Mark Valley as a love interest for Olivia because: a) having your lead in a stable, committed relationship is boring, and b) there was no way they were going to waste the Joshua Jackson as the love interest opportunity. BUT, I figured they were going to kill him off. First I thought it was the explosion, then the chemical reaction that allowed us to see through his skin (yuck!), and then the car accident. Apparently, this dude is hard to kill. Even at the end, we saw the woman from the company with the bionic arm prepping him for memory sharing. And this is only the beginning! Better buckle up 'cause I think we're in for a good ride with this one.

Fringe airs Tuesday nights on Fox. If you missed last night's series premiere, watch it for free at Fox.com.

Tuesday, September 09, 2008

It's Good to Be Bad on 'Chronicles'

'Terminator: Sarah Connor Chronicles' Returns for Season 2By LillyKat
PTR Senior Staff Writer


It’s a bad day in the fight to save the world when:

a) Cameron – the awesomenest of awesome protective terminators ever – goes over to the dark side (NOOOOO!!!!!!)

b) Sarah, John and Co. have their house blow up and get beaten to a pulp by those out to get any trace of anything that will lead them to the TURK (a.k.a. the earliest incarnation of the out-to-destroy-mankind computer, a.k.a. Skynet)

c) FBI pecial Agent Ellison – who at the end of last season realized the machines are already here – gets put on medical leave and is now stalked by evil yet suddenly rather mellow terminator Cromartie

d) Shirley “I’m Only Happy When It Rains” Manson is an even more evil version of Robert Patrick’s T-1000, and out to really make Skynet happen

And we love every single minute of it.

Terminator: Sarah Connor Chronicles premiered its second season last night, and It. Just. Rocked.

Worth every bit of the wait.

Has me wanting more.

Is the show I cannot live without.

I could go on about the minor stuff – like Shirley’s brilliant addition to the cast, and her colder-than-ice portrayal of this new CEO (Catherine Weaver), who is going to be the subtle yet unrelentless menace to John and Co. from a rather high-powered position within a high-tech company.

Or the fact that Sarah’s former hottie paramedic Charley Dixon is still around, wanting to help out the team.

Or that Agent Ellison may just wish Cromartie had killed him at the site of the FBI massacre when their storm of Cromartie's apartment went ... uh, bad.

But forget all that.

John v. Cam?

Cam going bad?

Ahhhhhh!

And yet what an awesome twist to begin the second season.

Can I just say my heart was racing for … oh … a good 45 minutes until John finally fixed her - defying everyone in doing so.

Go John!

That scene where she pleads for her life whilst John was trying to remove her chip, swearing she didn’t want to go, telling him she loved him … wow. Okay, so maybe the love thing was a little corny, and I know it was a ploy by her evil twin self, but that didn’t stop me from yelling, “NOOOO! John don’t kill Cam!!!!”

What can I say … I love the both of them. They just have “it” together, y’know? I don’t care that she’s a machine. And neither does John. As he says, he needs her.

Yes!

Not to mention it just reconfirms my love of Summer Glau. She can be a goodie and baddie.

And yet, I’m nervous.

That infamous OMFG explosion in last season’s finale compromised the integrity of Cam’s chip. Something tells me a simple once over with a Q-Tip and some alcohol (thanks, John) isn’t a guarantee that it won’t happen again.

But I will live in denial for now.

And wait for next week.

My favorite show is back.

And the fight to save the world continues.

New episodes of Terminator: The Sarah Connor Chronicles air Mondays at 8 p.m. on FOX. You can also watch full episodes online. Visit the Official Terminator: The Sarah Connor Chronicles Web site to catch up (or re-watch!)

'Closer' Crosses Borders

'The Closer' Returns for its Forth Season on TNT
By LillyKat
PTR Senior Staff Writer


Any time Silas Weir Mitchell (a.k.a. James Hogan, one of Detective Lilly Rush’s best good bad guys) shows up on a show as a guest star, I’m in.

When he shows up on The Closer, even better.

And when ol’ Prioirty Homicide looks to be on the ropes, dead in the water, BJ potentially out of job … whaaaat?


The Case

When the bodies of two Tijuana police officers are found in the back of a stolen pickup truck, it seems like an FBI informant is to blame (hence Fritzy’s joining of the case). But when it is revealed that the very drug cartel the FBI informant decided to fight against (and of whom puts a price on his head) sends its own “insider” Tijuana IA dude to do the dirty work, well … things get interesting - especially when BJ sends said Tijuana IA low-life to jail as the FBI informant given the actual informant turned out to be the good guy. It was the only way to insure he would be able to live in anonymity given the cartel had a $50,000 price tag on his head and would not rest until he was dead.


The Blurring of the Line

Brenda has often blurred the lines in the course of her investigations. Sometimes good, sometimes bad. I have to count this one in the “good” (or, perhaps I should say “acceptable”) column. Yes, she essentially sent IA dude to his death, but I can’t say it was undeserved. He brought it on himself, and it really did serve him right. Not to mention she saved the life of an innocent man in the process. I would have a far worse time accepting the fact that an innocent man would be wrongly murdered, whilst the corrupt IA agent got away with murder. OJ Simpson anyone?

Or, maybe it's just that I can more easily accept the eye-for-an-eye kinda justice that BJ sometimes dishes out.


The Roundabout Promotion

So, Chief Pope was just a little peeved at our not-so-favorite reporter’s story on Priority Homicide, eh? And BJ, too. Man, I thought she was going to be out of a job. But, after some quick department reshuffling (read: back pedaling PR management by Pope and Commander Taylor out of fear of Ricardo Ramos “part two” exposé on the LAPD’s Priority Homicide Division), looks like BJ is now going to be in charge of the aptly renamed Major Crimes Division – which includes not only homicides, but fraud, rapes, kidnapping.

With Taylor reporting directly to her.

Alas, her kingdom remains happily in tact.

Yay!


The CC Connection

If I had a dollar for every time there has been a Cold Case cross over connection, I’d have some serious lunch money by now.

Latest: Silas Weir Mitchell.

We here at PTR loved him as James Hogan of on CC. Cripes, now that I think about it, he’s still in prison over there. I think it’s time for Lil’ to re-visit him.

Anyhooo, seeing him as the protective priest, providing safe haven for the endangered FBI agent, was totally different.

And fun.

He’s really good no matter what role he’s in.



The summer season finale of The Closer airs next Monday at 9 p.m. on TNT. You can also watch full episodes of the show anytime over on the show’s official Web site.

Monday, September 08, 2008

Juliet Shows How She Rolls

Two weeks ago I was busy lamenting the recent trend to have Shawn and Gus working separating from Lassie and Jules, and bam! - I tune in this week to find that the problem has been fixed. Don't you wish more shows were this efficient at troubleshooting? In all seriousness, was I right or WAS I right? This episode was soooo much better with all four of them working together and playing off of each other. Everything from Shawn pretending to be a mannequin in front of Lassie to Lassie trying to discredit Shawn when the "body" was found at the marina just felt like old times. This is the Psych I had been missing of late. Now, let's just hope the theme continues with next week's summer finale so we can end things on a very high note (it should be noted, however, even if the theme does not continue next week, this show will still end on a high note due to its sheer brilliance).

Everybody was working together on a hilarious Roller Derby case that found Jules going undercover as one of the competitive rollerskaters and Shawn (and a very reluctant Gus) posing as her fan club president and vice president. It was all a means to an end as Shawn and Jules collectively discovered that her roller teammates were enthralled in an elaborate identity theft scheme that had them robbing (or is it burglarizing?) stores. And then there was the very helpful Gus who spent the episode with his nose in a study guide preparing for his pharmaceutical sales rep exam. It was all for not, however, as Shawn took it upon himself to take Gus's test for him. He passed, but that was no comfort for the very stressed Gus who had spent every waking moment studying for it (including using a book light in the car at night).

Last season, it was the "almost kiss" between Shawn and Jules. This season, it's the "almost hand holding" between the will they/won't they duo. If Shawn has it his way, they'll be a "will they" couple in no time, but Juliet seems pretty content to make sure that never happens. Unless, of course, she realizes how many crab cakes she's missing out on. Shawn may have to up that ante.

Psych airs Friday nights on USA Network. Catch up on this episode and others before next week's summer finale at hulu.com.

'Chronicles' Cometh Back

By LillyKat
PTR Senior Staff Writer


It's here.

Finally.

My absolute favorite new show of the weirded out, writers strike shortened season of yesteryear returns tonight at 8 p.m. on Fox. The second season premiere ep is titled "Samson and Delilah," and goes a little something like this:

Rocked by the Jeep explosion, John's 16th birthday forces him to confront the reality of his destiny alone. Meanwhile, Agent Ellison faces off with his faith and the Feds in the aftermath of Cromartie's massacre, and a new player is introduced, Catherine Weaver, who is the CEO of a high-tech corporation.

Kewl.

Fox has really spiffed up their Official T:SCC Site, so head on over for the latest scoop and sneak peeks!

And ... saving the best for last ... if you are in the Los Angeles area, you can meet the whole cast at the Golden Apple Comics Store on Saturday, September 13th at 5 p.m.

Thursday, September 04, 2008

'Bones' In the U.K.

I expected to laugh my a$$ off at the season premiere of Bones, but I did not expect to be laughing so hard that I missed more of the funny because I was still laughing at the last several funnies. In fact, I had my DVR working overtime last night as I was constantly pausing to laugh, rewinding to catch the zinger that I had missed while laughing at the other, and then playing the episode. This little process repeated itself over and over again during the first of the two hours. And then, things slowed down and took a more serious tone for the last hour of the premiere. While I missed the non-stop laughs, the more somber feel did allow my poor abs to take a break. There were two times during the night, however, where I had tears of laughter rolling down my face. The first was when Booth was driving that ridiculously small rental car and he couldn't grasp the no right on red concept, which sent the little car right into head on traffic and sent Booth into a breakdown where he proclaimed, among other things, that he was glad the U.S. had a revolution with England. The second time I lost it came when Booth was trying to ease the rental back into "the flow of traffic." I'm not sure what's funnier during these types of scenes -- Booth's rising stress/agitation level, Brennan's rational/level-headedness, or the combination of the two. I think it's choice #3, which just happens to be this fun little show's bread and butter.

Amid all of this laughter, there was a lot of other stuff going on during this episode. Angela was briefly reunited with her ex-husband, they got divorced, and in the night's most shocking turn, she and Hodgins broke up! Noooooooooo!! First Zac is Gormogon and now this! Why must they shake-up the squints?! I liked them as they were. I'm so bummed about Angela and Hodgins, but I'm holding out hope that these two crazy kids can work out their trust issues and get back together.

Meanwhile, Brennan was busy thwarting the affections of her British cohort. The Oxford professor had quite the salacious resume and he was hoping to add Brennan as a reference much to Booth's chagrin. He wasn't successful. Bones lied to herself and everyone else said that she turned him down because Booth told her that she was worth more than a shag in the hay, but we all know that deep down inside, she said no because of her feelings for Booth (and on some level, she knew how much it would hurt him). In fact, the subtext of the entire outing was centered around whether or not these two should be more than just partners. They shared several intimate conversations and Booth, in a successful ploy to deter his partner from sleeping with England's very own Romeo, told her that she's "special" (aww!). The writers are such teases on this show, but I wouldn't want it any other way. They have managed to string this "Will they/Won't they" relationship along so successfully that I wish other shows would take notes. As far as the question of should they or shouldn't they cross the pond again in the future -- this outing certainly left me wanting more Booth and Bones on the loose in London. What a smashing good way to start off the season!

Photos are copyright Fox Broadcasting Co. If you missed last night's shagadellic season premiere ("Yanks in the U.K."), check it out for free at Hulu.com.

The Countdown Nears the Finish Line

The finish line is in sight this week as we wind down our summer-long countdown of the Best Episodes of the Season! Before we get to this week's entries, here's a look at the rules for this year's winners. LillyKat and I ended up with 36 incredible episodes that demonstrate the diversity and quality of the current television state. The shows and their episodes are from both NETWORK and CABLE television. All episodes aired between June 2007 and June 2008. Each episode that made the final list moved us in some way; either by making us laugh out loud, cry our eyes out or just left us with that "wow" feeling that stays with you for a few days. So basically, it's completely subjective! Since this is a summer-long countdown to the number 1 episode, we will reveal a few each week all summer. So, be sure to tune in every Thursday to find out which episodes are on the countdown! Today, we're going to take a closer look at numbers 6-4.

6: "The Santa in the Slush" - Bones
Traditionally, holiday-themed episodes are more jeer than cheer, but this hilarious Christmas outing was so good it's one of my all-time favorite episodes of Bones. Everything from the escalating Santa similarities to Bones and Booth's bantering to the rent-a-Santa who needed a hearing aid and the always hilarious counseling sessions with Sweets had me laughing so hard, I had tears in my eyes. Of course, the biggest moment lands squarely on the shoulders of THAT kiss. It was part mistletoe, part black mail and a whole lotta chewing gum, but it was still quite spectacular! LOVED the awkwardness between them and the way the prosecutor rubbed in the idea that they both went a little above and beyond those "steamboats." But, the most romantic and touching moment came at the very end when Booth gave Bones and her family their own Christmas tree. It's the little things that set this show apart and this episode was chock full of them and holiday cheer. Written by Elizabeth Benjamin and Scott Williams and directed by Jeff Woolnough.

5: "The Road" - Cold Case
This stellar hour of a PTR fave was so good, it made both of our lists. So, we decided to each write a few words about what made it so great and one of this season's Top 5.

LillyKat Says: Three seasons removed from Lilly Rush's epic confrontation with her serial killer nemesis, George Marks, Cold Case delivered a fifth season episode in "The Road" that I count as a worthy successor. But more than that, writer/co-executive producer Jennifer Johnson went back to what this show was originally always supposed to be about – Lilly’s life as seen through the eyes of the long forgotten victims for which she seeks justice. Remember the whole people shouldn’t be forgotten thing? Remember the front row seat to people’s lives thing? Remember the dealing with her own stuff in the face of bringing closure to everyone else? For me, this ep held all three of those key elements. I've lamented the fact here (and elsewhere) that the character of Lilly Rush has become that dreaded shell of herself in these last few seasons - a zombie, a mess, way too depressed. Call it a shift in priorities, one too many extra storylines, one too many extra characters, but it had been far too long since we had seen Lilly like this. And it was just so entertaining to see her "back." Her voice was back. Her aura was back. Her strength was back. Her chutzpah was back. She was strong and unsettled. Determined and unsure. At the point of cracking but held it together. She even seemed more mature. But nowhere in the process was she some sort of ridiculous mess. She was still herself, and there was plenty of original Lilly Rush on display - and that always makes for a fantastic episode in my book.

TVFan Says: When a formulaic procedural like Cold Case takes a step outside of the usual routine, it almost always leads to an excellent outing. So, this post-strike episode had everything going for it and easily became my favorite of the season. What happens when a football team begins to lose what made them champions? They go back to the basics, and that's exactly what CC did with this emotional story. The episode put Lilly back in the driver's seat (literally), gave us one hell of a psychological whodunit (what this series does best), had us on the edge of our seats, and threw in a bit of personal growth and revelation just to spice things up. It also managed to do something that most shows cannot -- it had me on the verge of tears more than once. I still can't get the image of the little girl watching a home video of her murdered mother out of my head. It was heart-wrenching, moving, and real just like any good episode of Cold Case. Written by Jennifer Johnson and directed by Holly Dale.

4: "Pilot" - Damages
Extraordinary. Thrilling. Captivating. Engaging. Addicting. Clever. Unpredictable. Amazing. First rate. Before Damages even premiered, early reviews poured in with any one of aforementioned descriptors. Once I saw the pilot, I preferred to use just one: brilliant. With Glenn Close starring as Patty Hewes, known as the “nation’s most revered and reviled high stakes litigator" and of whom is currently in the middle of a class action lawsuit targeting one of the country’s most wealthy and allegedly corrupt CEO’s, it didn't take long to be gripped by both performer and show. And nothing about this show was been there, done that. Patty Hewes was made for Glenn Close. And vice versa. Beautifully subtle, unwaveringly powerful, wickedly smart and unbelievably manipulative: Patty Hewes gets what she wants, when she wants it, no matter what the cost. And yet, she’s also a wife and a mother – more confident in the former than the latter as she struggles to figure out her rebellious teenage son. She is cleverly balanced between the obsessive nature of her work, and the responsibilities of her home. Close was flawless in bringing this sophisticatedly layered character to life. The supporting cast - the likes of Rose Byrne, Ted Danson, Tate Donovan and Zeljko Ivanek - were equally as compelling. And the show’s flashback storytelling kept you guessing almost by the minute. It was impossible not to be gripped by what appears to be Rose Byrne's Ellen – bloodied, beaten, sitting in a police precinct exam room, being asked why she killed her fiancé while viewing flashes of her ransacked apartment, then cutting to six months prior, when she was the new up and comer alongside Patty, delving deep into the Arthur Frobisher case, trying to find the links between sister-in-law and smarmy CEO. From the get-go, it was an addicting slow burn. Written by Todd A. Kessler, Glenn Kessler and Daniel Zelman. Directed by Allen Coulter. - LillyKat / PTR Senior Staff Writer


So, there's a look at the next set of episodes on the countdown. What do you think? Do you agree? Disagree? Leave us a comment with your thoughts. And be sure to tune in next Thursday when we finally reveal our #1 Best Episode of the Season!!

Wednesday, September 03, 2008

'The Closer's' Irony Splits Its Ends

'The Closer' Returns for its Forth Season on TNT
By LillyKat
PTR Senior Staff Writer


Irony.

That’s the word that keeps coming to mind in describing this week’s episode of The Closer (titled “Split Ends").

Like, when your favorite shows uses its own studio lot exteriors as the backdrop for an episode, which prompts one to recall a visit to said show’s set a few months back, which further prompts one to say (whilst watching the episode): “Hey, I was there. And I walked by that stage door, and those trailers, and that front gate.”

Or, when the opening sequence seems to suggest BJ and Fritzy are being invaded by a knife wielding intruder only to have it turn out to be Mama and Papa Johnson stopping by for a visit as they RV their way to Alaska.

Or, when one of your other fave show’s producers jumps ship for a moment to take a turn behind the camera in LAPD’s Priority Homicide as opposed to the box room in PPD in Philly (read: Cold Case’s Roxann Dawson).

Or, when you think the fact the case is set in Hollyweirdland will have it end up being comical only to have it turn out to be rather serious.

Like we said: irony.

Lots of it.



The Case

The brutal murder of a hair stylist on a hit television show, who had been abused by her own … how should be way … rage-driven, wanna be slug actor partner. She had found a way out of that nightmare, but met her end trying to protect a friend from an equally abusive boyfriend.

I swear, this episode could’ve been funny. We know how good The Closer folks are at making the Hollywood-esque murders silly. They could’ve played up the whole self-absorbed actor thing, the silly guest star thing, the space cadet hairstylist thing.

But instead, it was sobering reminder just how difficult it is for women to escape the grips of abusive boyfriends and husbands.

And how damaged they are in the aftermath.



The Director’s Touch (Redux)

Last week, I raved about KB: Kevin Bacon.

This week, it’s RD: Roxann Dawson.

She has directed some of my favorite Cold Case episodes (“Joseph” and “A Perfect Day”), so I was pleasantly surprised to see her come over to BJ & Co. Now, if only she could take some of The Closer goodness back to CC. Like … oh … I don’t know … cloning of Fritz? Pretty please? With a cherry on top?


The Shot Sequence

Brenda’s questioning of the friend of the murdered hairstylist (the one she was trying to help out of an abusive relationship ) on the porch. As the girl reveals her wounds to Brenda, and Brenda extends her hand to try and get her to leave - escape - was very, very powerful. The close-ups on each woman's face, the silence whilst the decision is pondered ... I once again hand it to Roxann Dawson - she struck an amazingly tender balance with that sequence. You held your breath whilst secretly cheered for the gal to leave with Brenda.

And when boyfriend snatches her at the last minute to force a showdown with the squad ... wowza.


The Personal

So where to begin … daddy wants to see the BJ/Fritzy happily-ever-after moment sooner rather than later. BJ cowers at the thought. Fritz is in the middle (though he does want the marriage ASAP, too). And mom seems to be the peacemaker. How funny was Papa Johnson getting every conceivable wedding chapel pamphlet this side of the Mississippi and placing it in ever nook and cranny location so BJ couldn’t escape the notion?

In our ongoing collection of can’t-love-Fritz enough moments, he does eventually get BJ to stand up to daddy and tell him to back off.

Only to have Fritz lay down the law himself.

Married.

By next February at the latest.

Oops.

I guess that backfired, eh BJ?


The What The ...?

WTF is with that frakingly annoying reporter Ricardo Ramos? I'm getting really annoyed with his out-to-get Priority Homicide routine. Now, he's writing an exposé on what some of you already discussed last week: what murders really qualify as "priority." So much so that next week's preview has Chief Pope shutting the the PH division down?

WTF?!?!

Go away, Ramos.

And we wonder why people do not like the media.


Only two episodes left until the end-of-summer finale. New episodes air Mondays at 9 p.m. on TNT. You can also watch full episodes of the show anytime over on the show’s official Web site.

Booth and Bones' Smashing Good Time in London

I feel like a kid on Christmas Eve -- the anticipation of so many of my faves returning has me wanting to rip open their new seasons ahead of their scheduled premieres. Luckily, I don't have to wait much longer to unwrap my *Most Anticipated Premiere* because that honor goes to tonight's 2-hour Bones season opener. As if a special 2-hour outing wasn't enough, they went and took TV's best non-couple couple across the pond to London! Bones, Booth, small cars, roundabouts, driving on the left side of the road, stoic palace guards, tea, proper-ness, the Thames, Parliament -- it doesn't get any better than this and I. Can't. WAIT!! Cue the music (Dum, Dum, Dum-Dum). Here's the official episode description from Fox:

"Yanks in the U.K. (Parts 1 & 2)

Brennan and Booth travel from D.C. to London for Brennan to guest-lecture at Oxford University and for Booth to speak at Scotland Yard. They are asked by local officials to lend their expertise to a high-profile murder investigation involving a young British heiress and are paired up with their respective British counterparts, Dr. Ian Wexler (guest star Andrew Buchan) and Inspector Cate Pritchard (guest star Indira Varma). The duos venture through London to investigate the puzzling murder of the young and glamorous heiress, whose father is a wealthy American businessman.

And here's the uber-awesome, super-hilarious preview:


And just in case you needed more persuading to watch tonight's adventure across the Atlantic, here's star David Boreanaz's take on filming in London, the funny situations the characters get into in the episode, and the relationship between Booth and Bones:


Finally, here are a few photos (courtesy Fox):




The 2-hour fun kicks off tonight on Fox at 8 p.m.

Sunday, August 31, 2008

Labor Day Fun: 'Sid the Science Kid'

So, you decided not to brave the crazy beach traffic and now you're looking for something to watch this Labor Day. Well, to prove that PTR cares about our more family-focused readers too, we thought we'd let you in on something fun, educational and family friendly to tune into this Labor Day (and all-week long). PBS Kids is premiering its latest educational animated series Monday morning. Sid the Kid, co-produced by The Jim Henson Company, follows Sid and his school friends as they use comedy and music to promote exploration, discovery and science readiness among preschoolers. Here's a rundown of this week's episodes:

Monday, September 1, 2008 – PREMIERE EPISODE – “The Sticker Chart”
On the premiere episode, Sid learns that creating a chart is a great science tool that can help him compare and contrast cool stuff such as snacks, pets and his daily chores.

Tuesday, September 2, 2008 – “The Rolie Polie”
Sid discovers the magnifying glass and uses it to make things such as his freckles, rocks and his rolie polie bugs look bigger.

Wednesday, September 3, 2008 – “Enough with the Seashells”
Sid learns how estimation can help him and his school friends make their best guesses instead of counting one-by-one.

Thursday, September 4, 2008 – “The Whale Episode”
Sid learns how to measure shoes, blocks and groups of people using non-standard measurement.

Friday, September 5, 2008 – “Super Science Tools”
Sid picks his favorite science tool that he discovered this week.

Sid the Kid airs Monday through Friday (check local listings) as part of the popular PBS KIDS preschool destination, an educational, interactive hosted two-hour morning television block. For more information, visit PBSKids.org.

Friday, August 29, 2008

PTR On Set: 'Raising the Bar' w/Two Points of View

'Raising the Bar' on TNT
By LillyKat
PTR Senior Staff Writer


It’s not every day you sit down next to one of the greatest television producers of all time and have him tell you about his latest project.

Or why he has chosen the cable medium as his newest playground.

Then again, everyone is moving to cable these days, aren’t they?

After all, that is where it’s at.

And TNT knows it the best.

TNT LogoEnter their newest drama, Raising the Bar, which premieres this coming Monday, September 1st at 10 p.m., and is brought to us by Steven Bochco – who I’ll just call Mr. NYPD Blue and Mr. Hill Street Blues for now.

Enter their newest drama, Raising the Bar, which premieres this coming Monday, September 1st at 10 p.m., and is brought to us by Steven Bochco – who I’ll just call Mr. NYPD Blue and Mr. Hill Street Blues for now. As the title of the show suggest, Raising the Bar is no cop show. Rather, it delves into a new realm of legal dramas: telling the story from the prosecutor and public defenders point of view.

“We started with the idea that we wanted to do a show about a busted criminal justice system not just from a public defender’s point of view, but also from a prosecutor’s point of view,” says executive producer Bochco. “All of them are functioning in a deeply flawed environment. The most passionate and committed of them are not only trying to win cases and defend clients, but they’re also trying to maintain, change and support a system which, flawed as it is, is the only one we’ve got.”

Raising the Bar comes to us at a time when cable television is firing on all cylinders. It has become the place to find top quality, character driven dramas. When PTR had the chance to visit with the cast on set back in June, before they had wrapped their first season, they already sensed they were onto something that had yet to be done either on network or cable television.

“It’s the kind of show where you get to root for the underdog,” says Currie Graham, who plays prosecutor Nick Balco. “You see these people that society has sort of forgotten about – the people who have to have a public defender, the people the system really doesn’t give a care about anymore, the bottom 10%. We’re taking a magnifying glass, shining it on this system that forgets about these people and saying, hey, look what really happens. Does anyone know what really goes on here? To see the sort of manipulating, and the strategizing and the dealmaking that happens around people’s lives is kind of frightening.”

Adding Raising the Bar to TNT’s ever-growing slate of quality original programming was a good fit for both the cable network and Bochco.

Executive Producer Steven Bochco of TNT's 'Raising the Bar'“It seems to me that there's been a real shift in broadcast television away from the kinds of shows that I like to do,” says Bochco. “For me to continue to do the kinds of shows that are not fantastical – they're not about superheroes, or vampires,or guys that live 800 years – requires that I do [it] in the cable world, which I'm happy to do because it's a very, very respectful environment from a creative point of view. Nobody's looking over your shoulder, nobody's micromanaging you. Everyone is so respectful.”

“There’s a feeling that we’re doing what we want to do,” says Mark-Paul Gosselaar, who plays public defender Jerry Kellerman and of whom also worked with Bochco on NYPD Blue. “I think the best part [of this experience] is getting the same feeling I got with Steven working with him on NYPD Blue - that feeling of confidence about the work we’re doing.”

The show is loosely based upon the book, Indefensible, by David Feige, who also serves as supervising producer on the show.

TNT Set Visit Press Day - 'Raising the Bar'“I was a public defender for about a dozen years [in New York City] – first in Brooklyn, then in Harlem, then in the Bronx. I left and wrote this book [and] Steven was the only person in Hollywood I sent it to. And, to my amazement, he called and said, ‘I love the book but I don’t think there’s a show here.’” Feige recalls with a laugh. “So, I hung up the phone thinking, you know, Steven Bochco liked my book, the rest is gravy. I’m fine. Good. I’m done.”

Bochco laughs.

“He then writes me a five page e-mail – ” Bochco says.

“ – telling him why he was wrong,” Feige jokes.

“ – telling me why I was wrong. So, I said to my wife, read this – this crazy guy is so passionate about what he’s doing. That’s who we should be in business with – passionate people. So, I re-contacted him and basically said, ‘I don’t want to do [the book per se], but if you want to do [it a little differently], let’s go.’”

And they did.

So what do the creators feel sets the show apart from other legal drams – past or present?

“In the current landscape of television, I don’t think there’s a real character-driven, realistic, law drama. It’s been a long time since there’s been anything like that on television, and I don’t remember ever seeing a law drama that really sort of gave equal time to both sides of the equation the way we do,” Bochco says.

Adds Feige: “Steven’s explanation to me was you don’t have real drama until you have a clash of legitimate world views. And so, we have an incredibly powerful defender voice, which Mark-Paul carries as beautifully as I could have imagined. We also have incredibly powerful prosecutors, who really believe their point of view, and in the contrast is the drama and gist of the show.”

But Gosselaar wasn’t initially sold on the idea of playing a public defender.

Actor Mark-Paul Gosselaar of TNT's 'Raising the Bar'“I’ve always played strong characters,” says Gosselaar. “But when I first viewed Jerry on the page, I thought he was really an underdog – a weak character. Everything I’d ever seen on television was through the eyes of a prosecutor, through the eyes of a cop. So, to me, playing a public defender who was always losing, fighting for poor people, engine clients, didn’t really appeal to me right off the bat. But in having read David’s book, seeing the struggle that he goes through, seeing what kind of strength of person it takes to be a public defender, I began to see the challenge in [playing Jerry]. That’s sort of when it opened my eyes, and I was able to read the script from a different perspective.”

Jane Kaczmarek, best known for her work on the Emmy®-winning TV series Malcolm in the Middle, portrays Judge Judy Kessler. She also wasn’t necessarily looking to return to television, but the appeal of working on a Bochco show was pretty strong.

“To be quite honest, I really wanted to work on a show that would allow me to work only a little bit,” Kaczmarek says with a laugh. “After Malcolm went of the air, offers I would get were mostly for comedies, which I really didn’t want to do again. I got so much out of my system doing Malcolm, and it was a long run. Also, I have three little kids, and I was really looking for a life where my primary focus was going to be my family, my kids. I waited until a job came a long that was really going to suit my lifestyle – and by that I mean I could work, I could be on an interesting show yet not be the lead. I had worked with Steven 25 years ago on Hill Street Blues, and I liked that. I think Bochco brings in a certain old-fashioned storytelling – and I mean that complimentarily – in that it’s nice to know about the people trying these cases, and it’s nice to know their back stories. I also used to play a lot of lawyers for many years, then I did a lot of comedy. So, it was kind of interesting to come back to this side of the bench. And I think the character of Trudy is pretty fascinating.”

Actress Jane Kaczmarek of TNT's 'Raising the Bar'On being asked about Judge Kessler being a hard core, hard hitting kind of character, Kaczmarek doesn’t see it quite that way.

“Well, in the same way, I never found anything that Lois did on Malcolm that out of the ordinary. [Trudy] is following the letter of the law; it’s just her interpretation of the law. So, there’s nothing she’s doing that’s really illegal. In the pilot episode, the character of Charlie Salansky [played by Jonathan Scarfe] really servers to temper her and make her think differently about certain things.

“Also, the difference between the legal system and what we think is the legal system is completely [a result of] watching lawyers on television,” Kaczmarek continues. “You kind of think lawyers act the way they do on television shows. They don’t. If you actually see real lawyers in action, what happens in a court room is so different than what we’ve gotten used to [seeing]. It’s slow moving, they’re often unprepared, they can be very tedious. They can be badly dressed, badly coiffed. I’m amazed when you see real lawyers – being on jury duty and things. You think, ‘Don’t you watch Law & Order? Dress up! Be prepared!’”

All joking aside, the entire ensemble cast feels as if they’ve been given a great opportunity to work on a Bochco series.

Actor Currie Graham of TNT's 'Raising the Bar'“I think Steven is so good at casting that you know what you’re going to do when you’re get the job,” says Graham. “Once he’s sees people, he knows what you’re going to bring to it, and he lets you go and do your thing. I think he has a great knack for overseeing the big picture, picking the right components and pieces that make it work.”

As for his character, Graham says it has been a fun challenge to play, of all things, a misogynist.

“It’s the first time I have played what I believe is a misogynist,” Graham says. “It’s not in a malicious way, it’s not in a mean way. He likes women, and he’s not afraid to compliment them in perhaps an inappropriate manner, not afraid to manipulate them into going out on dates with him, but also not afraid to tell them they’re not as good at their job because they are women. Also, I think this character has an opportunity to be very funny, especially for a guy who is somewhat morally ambiguous. He’s kind of on the edge of being ethically challenged, and yet at the same time, he’s funny. I think this character – aside from the misogyny, because I’m happily married – was kind of written for me. I think there’s a part of him that is me – the sense of humor, the sarcasm. For me, I put on an Armani suit, step behind the desk, and that’s the guy, man. And the words are good. The writing has been very smart, very intelligent.”

J. August Richards, who plays prosecutor Marcus McGrath, also feels very fortunate to be in the Bochco fold.

“I’ve found that when you work with people like [this], the level of confidence is such that they hire you and let you do your thing. They don’t second guess and triple guess, or micromanage you. It’s just a certain confidence,” says Richards.

Actor J. August Richards of TNT's 'Raising the Bar'But Richards told us of the challenge in taking on a character quite different from himself.

“This character is very moved by victims,” says Richards. “And what did strike me about reading the script was that I had to read it with, like, these sunglasses on because the script is from the point of view of the PDs – the public defenders. They are the heroes, they are very passionate about how the system doesn’t work for people. Now, as a prosecutor, I have to be very passionate about victims and victim’s rights, and those are the glasses I have to put on when I read the script so that I don’t hate my character [given I might not agree with that point of view]. I just have to think about that mother that comes to my office and says my son was viciously beaten, and I can’t feel sorry for the guy for being in jail for a year, waiting for his trial. I think about people who suffer from violent crimes, and that’s what makes me feel righteous about what I do. Marcus really relates to the victim, and there’s a lot of clashing between my character and the public defenders. This has been a very interesting character for me because, politically and personally, we are so incredibly different. This guy grew up in a trying situation, he comes from Harlem, he’s seen a lot, and he kind of has an agenda with what he’s seen and what he’s been through. I’m the exact opposite. It’s been fun to get to know this guy – really walk in those shoes and really see the world through his point of view because mine is so different.”

ER alum Gloria Reuben takes on the role of Rosalind "Roz" Whitman, who runs the office of public defenders. “I’m trying to run the ship without letting too many people jump overboard,” she told us. But her primary reason for heading back to small screen was the opportunity to be a part of the TNT family, and to portray a strong woman.

Actress Gloria Reuben of TNT's 'Raising the Bar'“I think that you can see that TNT has taken the lead in creating really great roles for women on television,” says Reuben. “And I think, quite frankly, cable television is the place where interesting stuff is happening – film noir television. It’s exciting to be a part of that process, I think there still needs to be a lot done for ethnic women and women of color. But, things are changing, and the roles are getting better, and shows like this - which have great female roles - always kind of inspire other shows to be developed with that kind of strength behind it. Not to mention the chemistry of this cast is out of this world.”

Melissa Sagemiller plays Michelle Ernhardt, an assistant District Attorney in the Manhattan office and of whom has a love/hate relationship with Gosselaar’s Jerry Kellerman.

Actors Melissa Sagemille, Natalia Cigliuti and Teddy Sears of TNT's 'Raising the Bar'“I’m incredibly driven and I will pretty much do whatever it takes to win cases,” says Sagemiller. “I have this sort of extreme desire to please someone. So, I tow the line between what is morally and ethically correct, and what is legal. I struggle with that throughout the series. She’s a spitfire.”

Natalia Cigliuti plays Roberta “Bobbi” Gilardi, a public defender transferred from Brooklyn office to the Manhattan office who clashes with Sagemiller’s character.

“She’s starting to get close with the Jerry character, but she’s married, so that’ll stop her. But, she’s very passionate about her clients, and she believes in them and for them and fights for them. Melissa’s character and I have out little tit-for-tat, which we’ve had a lot of fun with it,” says Cigliuti.

Teddy Sears plays public defender Richard Patrick Woolsley IV. As you might guess from the rather formal name of the character, Richard is taking the road somewhat less traveled after enjoying a well-to-do upbringing.

“Richard comes from a very well-healed background and is looking to work in the public defenders office. He’s stepping away from the very large shadow that his family and his father have cast, and striking out on his own, and just fighting diligently and passionately and committedly for the people who he feels are underrepresented and underserved. And all of the fun stuff that comes with it helps mold this unfolding maturation that this character is experiencing,” says Sears.

The cast remain ever enthusiastic about how the first season has been laid out, and they can only hope they’ll be able to come back for a second season to continue the work.

“I think that this show is right for this time,” says Gosselaar.

“And I don’t think you need to be a liberal or a radical or anything to look at this system and say something is seriously wrong [with our system]," adds Bochco. "I just hope that we get a chance to keep going because I think we have a lot of stories to tell with a great bunch of characters that can sustain us for a long time.”

Our great thanks to the cast of Raising the Bar for taking some time to share their thoughts on the show as well as our friends at Turner publicity.Tune in for the series premiere of Raising the Bar Monday, September 1st at 10 p.m. on TNT. For more information on the series, be sure to check out the show's Official Web Site.

'Office' and 'Army' Give Labor Day Bonuses

Doncha love 3-day weekends?!! The BBQs, the extra day off, and of course, tons of fabulous marathons of your favorite shows! What's not to love, right? Before you head off to celebrate the unofficial last weekend of the summer, PTR has a couple of fun things you can do this Labor Day weekend that center around, your guessed it, TV. First, The Office (season 4) is about to hit store shelves next week, but the good folks at Universal Studios Home Entertainment have a few sneak peeks available online right now to tied you over until the release.

The Office: Bloopers
Fun Run: Deleted Scene
Dunder Mifflin Infinity: Deleted Scene

There's also a contest going on over at The Onion where you can enter to win a copy of the DVD. The fourth season of The Office comes out this Tuesday, 9/2. The fifth season kicks off September 25th on NBC.



Remember how I was just talking about those marathons? Well, Lifetime is giving you the perfect opportunity to stay home this weekend and catch up on its uber-popular Army Wives. And don't even try to pretend like you don't get sucked into these marathons. You know how it is -- once you start, you can't stop (I'm looking at you MTV and your ubiquitous Top Model marathons). Lifetime kicks off its 2-day Army Wives marathon this Sunday (9-11 p.m.) and continues it on through Labor Day (11 a.m. - 9 p.m.). The show, about the lives of five women trying to stay connected to their military husbands while navigating life on an Army post, stars Kim Delaney, Catherine Bell, Sally Pressman, Brigid Brannagh and Wendy Davis. For more on Army Wives, visit Lifetime's official site.

Thursday, August 28, 2008

The Countdown Moves From Funny to Serious

We're up to the single digits in our summer-long countdown of the Best Episodes of the Season! Before we get to this week's entries, here's a look at the rules for this year's winners. LillyKat and I ended up with 36 incredible episodes that demonstrate the diversity and quality of the current television state. The shows and their episodes are from both NETWORK and CABLE television. All episodes aired between June 2007 and June 2008. Each episode that made the final list moved us in some way; either by making us laugh out loud, cry our eyes out or just left us with that "wow" feeling that stays with you for a few days. So basically, it's completely subjective! Since this is a summer-long countdown to the number 1 episode, we will reveal a few each week all summer. So, be sure to tune in every Thursday to find out which episodes are on the countdown! Today, we're going to take a closer look at numbers 9-7.

9: "Ten Sessions" - How I Met Your Mother
Who would have thought that an episode featuring Britney Spears would make our Best Episodes countdown let alone wind up in our Top 10??!! This just shows how strong this outing was in spite of what it had going against it. And you know what? Britney wasn't so bad. She had some great lines, she sold the character, and I found myself enjoying her presence and the way her character related to Ted's plight to win his dermatologist's heart (played adorably by Scrubs' Sarah Chalke). Even if the pop star had sunk the episode, I would have still enjoyed it because the Ted story was too charming to hate. What would you do if you had 10 sessions (that's how long it took to erase Ted's "tramp stamp" -- a drunken mistake) to convince someone that she should date you? If you're Ted, you pull out every stop and you never give up even when she explains the very good reason why she can't. Good reason be damned because it gave Ted the perfect opportunity to get creative and to use his undeniable charm in the process. I just loved the "2-minute date" at the end, and it left me hoping that this dermatologist is the one. Written by Chris Harris, Carter Bays and Craig Thomas and directed by Pamela Fryman.

8: "Truth Be Told/Born Free" - Dexter
The first season of Dexter ended on a stunning note – even watching it the second time around, when CBS re-aired the complete first season in the Spring of 2008. I like to think this finale gave us the man with the missing arm (or woman, literally). The smoking gun. The gunman on the grassy knoll. The reveal of Rudy as Dex’s real, honest to goodness brother – abandoned in that nightmare of a chainsaw massacre when real-life mom’s drug deal went bad – was just so insanely clever and clicked everything into place. Dex picked up and saved by Harry. Rudy left to fend for himself in a mental institution, then spend the next umpteen years planning an ever gruesome reunion. One duty-bound by a code to co-exist in the regular world, albeit in a constant state of disguise; the other willing to forgo any sense of code to showcase a true identity and live in utter honesty with the one other person who would be able to accept him as-is. Often, the question has been raised about Dexter’s morality. That is, he is a killer underneath it all, so how could he really be a good guy? Contrasted against Rudy, it’s pretty clear Dex is incredibly moral, incredibly diligent about the handling of the condition from which he suffers, and he – most importantly – knows right from wrong. A brilliant way to end a fantastic first season. "Truth Be Told" written by Drew Z. Greenberg and Timothy Schlattmann, and directed by Keith Gordon; "Born Free" written by Daniel Cerone and Melissa Rosenberg, and directed by Michael Cuesta. - LillyKat / PTR Senior Staff Writer

7: "Dexter" - Dexter
So, as I just got done singing the praises of how the first season of Dexter ended, we must also include how it all began. The pilot introduced us to one of most intricate, complex and compelling characters on television, and it gave us a series whereby our hero is a serial killer that is irresistibly likable – moral, conscientious, an all around good guy except for that particular disposition. I cannot bring myself to call Dex’s state of mind an illness (or sickness). He’s more like a Dark Avenger – working for the Miami Metro Police Department’s forensic division as a blood splatter specialist whilst channeling his desires into cleaning up what the hardworking detectives of the department don’t always (and can’t always) get to do. And given the show is set in Miami, the epitome of the oft-used real estate phrase “light, bright and airy,” the show is an ingenious contradiction of darkness vs. light. Good vs. Evil. A blurring of the line on both sides. The table was set with this episode, and I have been at it ever since. Written by Timothy Schlattmann and directed by Michael Cuesta. - LillyKat / PTR Senior Staff Writer

So, there's a look at the next set of episodes on the countdown. What do you think? Do you agree? Disagree? Leave us a comment with your thoughts. And be sure to tune in next Thursday as we reveal #6-4 on the list.

Tuesday, August 26, 2008

A Need to Get Over It on ‘Grace’

By LillyKat
PTR Senior Staff Writer


I love Kenny Johnson.

I do.

He’s our bud here at PTR.

He warned us these last couple of episodes of Saving Grace were going to be pretty dark.

So what I’m about to say I say in the nicest possible way: I am not buying the whole Ham-downward-spiral-into-hell routine (which will leave us in a suspended state of wonder until new episodes return next March).

As in, enough.

Get over it.

Get suspended.

Put on leave.

Forced off the squad.

Something - anything - to get the whole slobbering sweaty mess of nothingness back into some semblance of a believable character.

I get that he’s lost his bro’.

I get he’s gone crazy about it.

But it's crossed over into the unrealistic as far as I'm concerned.

As in, no police department in this day and age – of lawsuits, ethics training, diversity training, code of conduct training, CYA (cover your arse) training so as to be all kosher with themselves and the public – would let one of their own spiral so obviously and unabashedly out of control whilst on the job. It would be a political nightmare. A lawsuit magnet. My own father, who is a captain on the fire department, has written up guys for less than 1/8th of what Ham is getting away with at this point, so I don't buy three weeks of putting himself, the squad, the department and the public at risk. It's ridiculous - no matter how much of a state of grieving he's in. I can suspend disbelief and grant creative license only up to a point.

And to think Grace was like this for three years after the death of her sister?

Where is the mandatory grief counseling? Time off? Bereavement leave?

Is this how they do things in Oklahoma City - wild child cops can do whatever, however, whenever until they just go way off the edge of the map?

This whole nonsense actually makes me appreciate Lilly Rush’s silent withdrawal into nothingness after the death of her mother on Cold Case. Or even when her partner, Scotty Valens, was drinking and bonking Lil’s sister as some sort of compensation for the loss of his own girlfriend - Lieutenant Stillman stepped in and told him to get his stuff together. It took a couple of eps, and a botched detail of assignment, but wow … no naked bar romps, no passing out in PPD. Yes, he had a temper – especially after his girlfriend's death – but nobody enabled him to continue the behavior. The squad, literally, kept bagging on him to stop.

Which brings me to my other issue at the moment: Grace’s enabling of Ham.

I am so sick of her saying, I’m here for you. Let’s go get trashed. Let’s go romp around. Whatever you need, blah, blah, blah.

WTF?

Seriously?

She isn’t helping with this codependent bull. All she’s doing is making it worse, which is why I loved Ham’s other bro’ telling her to go take a long walk off a short pier a few eps back.

Then again, this is Grace Hanadarko we’re talking about. Sex and alcohol seem to be her answer for everything. But wow, talking about the blind leading the blind. Ham is never going to clean up with her around. Rhetta seems to be the only one going, “Uh, you know .. Ham’s kinda messed up.”

Gee, ya’ think?

Which leads me to my third problem.

Where the frick is Angel Earl? Aside from getting his eye punched out by Ham?

A one-liner to Grace to have her restore Ham’s faith in God to get him … uh … back on track isn't going to cut it. And duh, I would think he'd know that by now.

With all that said, I actually cheered at the end of last night’s ep when Ham told Grace he wanted a different partner. At least one of them finally wised up. Ironic it’s the guy without the Angel offering the advice. And as much as Grace has progressed, she’s still way off the mark on getting her own stuff together, which is perhaps the whole other side to this Ham nightmare.

Or the constant reminder.

I’d love to talk about the case, but seriously, I couldn’t even focus on it with the Ham-out-of-control nonsense.

But I did really enjoy the introduction of Detective Butch Ada’s sister (who happens to have Down Syndrome), and his mom (high-powered politico who gives him as much stick about going to the University of Texas as the rest of the squad).

Needless to say, when Christina Ricci joins the cast as Grace’s new partner come March, I’m going to be psyched. I need a break from the Grace and Ham Codependent Show.

Ugh.

Nice way to cliff-hanger-us 'til the Spring, though.

New episodes of Saving Grace will return in March 2009. You can watch full episodes of the show anytime over on the show’s official Web site. You can also visit EmbraceYourGrace.com to share your stories of how you embrace your inner-Grace.

Sudden Death on 'The Closer'

'The Closer' Returns for its Forth Season on TNT
By LillyKat
PTR Senior Staff Writer


So lightning can really strike twice.

Or three times.

Or six times.

Or eight times.

Or however many times the good folks over at The Closer want to employ Kevin Bacon to direct episodes.

The man is just too.darn.good.

Seriously.

We remember we were left speechless with last season’s "Blindsided." Well, last night, he did it again with “Sudden Death.”

And, once again, it’s left me with the feeling that he should direct every episode of The Closer. Something about how he gets amazingly deep, soulful, genuine and powerful performances out of the entire cast. At the very least, the Cold Case folks need to get in touch with him ASAP to breathe some life and passion back into the Lilly Rush character (not to mention the show on the whole).


The Case

This was actually a very simple case: Detective Sanchez’s kid brother is gunned down in yet another meaningless act of violence on the streets of a gang-infested East Los Angeles neighborhood.

BJ & Co. are given cart blanche to go after what everyone suspects is possible retaliation against Sanchez for his always aggressive pursuit of gang suspects.

And boy, don’t we wish that really was the motive.

Turns out baby bro’, walking along the street with his girlfriend, just wouldn’t show the underside of his baseball cap – yes, a ridiculously simple gesture – to a gang kid out hunting down members of a rival gang whom he swore Sanchez’s bro’ was a part of. Supposedly, if Sanchez’s bro really had been a member of the gang, the sign would’ve been on the underside of the cap.

Game. Set. Death.

The saddest part about this episode is the truth of it: kids get gunned down for even less than what we saw last night.


The Personal

This case was personal from the start. And Sanchez nearly lost the plot over it. But could you blame him? No.

I want to commend Raymond Cruz for one heck of a performance. His anger, rage, passion, desperation and sadness came off as amazingly tangible and ever-so real. I swear his intensity seemed to almost come through the screen.


The Director’s Touch

Kevin Bacon has a certain way with his shot set-ups that are so well-paced, and yet, it almost seems to leave one breathless at times. Better yet, he knows exactly when to dial it up, then dial it down. He moves seamlessly from fast paced to inter-personal confrontation to intensely still. It just keeps you gripped from one scene to the next.

So, whether its Sanchez running desperately down the street, isolated in slow motion, with hardly any sound, a blur on screen trying to get to the scene of the crime and get help; to him being absurdly (if not deranged-ly) calm emerging from the ER after his brother has died, thanking everyone for coming, making sure everyone got pizza, wanting to give his statement to BJ immediately; to his confrontation with Brenda in her office over his methods, his tactics and why he just cannot back off; to sobbing in the arms of Lieutenant Provenza over the blood-soaked baseball cap of his brother, pleading it was his fault his brother was shot given he was the one to give the cap to his bro’ a month ago as a gift … it all is beautifully melded together in sequence that is timed to perfection, balanced and exquisitely done, making for yet another brilliantly powerful hour of television.

Like we said, can Kevin just direct every episode? Of every PTR-fave show?


New episodes air Mondays at 9 p.m. on TNT. You can also watch full episodes of the show anytime over on the show’s official Web site.

Monday, August 25, 2008

New Photos on the 'Case'

The 6th season premiere of Cold Case is a little over a month away, but PTR has photos from the episode hot off the CBS presses. In the episode, Lilly and co. re-open the 1973 case of a murdered football player when new evidence surfaces (and it looks like Lil's latest love interest is back for another round -- of drinks, that is). Here's an early look:









Cold Case kicks off its 6th season September 28th on CBS.

Shawn & Gus Get Rigged

You guys know that I love me some Psych, but I have one gripe about it this season: the writers seem to have forgotten what to do with Jules and Lassie. Remember how they used to work with Shawn and Gus on their cases and we would all laugh at the hilarious interaction between Shawn and Lassie (Las would pretend like he thought Shawn was a moron, but in reality, he was insanely jealous at the fake psychic's natural ability to solve cases and Shawn would make all sorts of witty comments about Lassie -- those were the good old days). But now, well, it's like the two sets of characters are running in different circles solving different cases and I don't like it. Yes, I know, the two seemingly separate cases wind up intersecting at the end, but I want more Shawn/Gus/Lassie/Jules time damn it! Why did they mess with a winning formula? I feel like the Lassie/Jules scenes are a little pointless and thrown in there to give the actors some deserved screen time. It's a conundrum, and one that I hope they solve soon. I only criticize because I care. It's out of love for this fun little show.

Putting all of that aside, I did enjoy this week's oil rig outing. I had my suspicions about the daughter the entire hour, though. She wreaked of "Daddy may underestimate me, but you'd be wise not to" syndrome. And I had no idea that Brenda Leigh Johnson's father was an oil man, did you? Don't you love seeing the same actors pop up on your favorite shows? This Barry Corbin character didn't have the same understanding gene as his Closer counterpart, and he certainly didn't know his daughter the way Clay Johnson knows his. Thankfully, Shawn and Gus had her all figured out.

I want to send a shout-out to the casting department for their awesome job casting Chief Vick's sister! Those two were separated at birth!

Psych airs Friday nights on USA Network. Catch up on this episode and others at hulu.com.

Sunday, August 24, 2008

WB.com Launch

Warner Brothers Network Launches New Web PresenceBy LillyKat
PTR Senior Staff Writer


The WB lives.

On the WeB.

As we reported back in April, Warner Brothers Television Group (WBTVG) officially launches TheWB.com this coming Wednesday, August 27th.

Billed as a "premium, ad-supported, video-on-demand, interactive and personalized network," it will feature full episodes of fan-favorite series including the likes of Buffy the Vampire Slayer, Everwood, Friends, Gilmore Girls, The O.C., One Tree Hill, Roswell, Smallville and Veronica Mars. Additional series newly acquired for TheWB.com and not previously announced include Angel, Babylon 5, Firefly, In Living Color, The Loop and MADtv.

Warner Brothers Network Launches New Web PresenceTheWB.com will also debut original series from director/producer McG (the upcoming Terminator Salvation, Supernatural, the Charlie’s Angels films) and writer/producer Josh Schwartz (Gossip Girl, Chuck, The O.C.), among others. A selection of both fan-favorite and original series will be available at launch and others will roll out in coming weeks and months.

“TheWB.com is a new digital destination built from the ground up for the same 16-34 year-old audience that embraced The WB when it was a television phenomenon,” said Brent Poer, GM, TheWB.com. “We have loaded the site with their favorite classic series like ‘Friends’ and ‘The OC,’ high-quality original programming and a wide array of sharing features, mash-up tools, and interactivity options to fit their lifestyle.”


The first batch of original and acquired series to debut are:

Sorority Forever (premieres September 8): Producer/Director McG brings us a mystery/drama that peeks behind the walls of sorority society - sort of a Prom Queen meets The O.C., but set in college. The series stars Jessica Rose (“lonelygirl15”), Mikaela Hoover, Taryn Southern, Anabella Casanova, Candice Patton, Annemarie Pazmino, Jessica Morris, Cary Hungerford, Angie Cole, David Loren and Joaquin Pastor.

Blue Water High (premieres August 27): A drama set at an exclusive, ultra-competitive surf academy where six Australian teenagers live, study, surf and socialize together. At the end of the grueling 12-month residential athletic and academic program, two surfers – one male and one female – will win the prize they’ve all been fighting for: admission to the professional surfing circuit and a sponsorship contract. Series stars include Adam Saunders, Chris Foy, Kate Bell, Khan Chittenden, Sophie Luck and Tahyna Tozzi.

A Boy Wearing Makeup (premieres August 27): Mathieu Francis is a boy who happens to a)wear makeup, and b) look fabulous. In a highly personal online video diary, Mathieu dispenses makeup advice and fashion tips while taking viewers along on his own personal journey.

Whatever Hollywood (premieres August 27): The tale of three best friends who want to take Hollywood by storm and play by their own rules. Tune in to their self-described fun and silly short films (many featuring their own original music), as well as the reality-style Whatever Show. Whatever Hollywood stars Ellyn Ruschak as Suri, Alyssa Ruschak as Shiloh and Jenny Alden as Apple.



Source: Warner Publicity

Friday, August 22, 2008

Bertinelli Lands TBS Comedy Pilot

Valerie BertinelliBy LillyKat
PTR Senior Staff Writer


Val's back.

And better than ever.

Valerie Bertinelli has signed on to star in a-yet-to-be named new comedy pilot for TBS from Writer/Executive Producer Dave Caplan. A two-time Golden Globe® winner, best known for her roles as Barbara Royer on the classic One Day at a Time, and Gloria on Touched By An Angel, Bertinelli will play a single mother trying to run a business while raising two children. The premise of the show is inspired by events in Caplan’s own life. She'll also serve as producer.

“Valerie Bertinelli became a popular fixture on television playing one of two children being raised by a single working mother,” said Michael Wright, senior vice president in charge of the Content Creation Group for TBS, TNT and Turner Classic Movies. “Now she's exploring that world from the opposite angle, playing a single working mother raising two children. Between Valerie’s comic skills and Dave Caplan’s highly relatable humor, we’re very excited to watch this pilot take shape.”

File this under: Very Cool News.

Why?

Because: a) I happen to really like Valerie Bertinelli; b) think it's freakin' cool how many people she's inspired (including my best friend from high school) being a spokesperson for Jenny Craig and through her autobiography, Losing It – and Gaining My Life Back One Pound at a Time; c) loved Touched By An Angel, so seeing any alum from that show back on the small screen is good by me.

Source: Turner Publicity

Eleven 'Amazing' New Teams

Earlier this week, CBS announced the 11 teams that make up The Amazing Race's 13th season set to kick off this fall. From the press release:

The 13th installment of THE AMAZING RACE will feature a variety of firsts, including: Teams traveling to a real-life water world where its inhabitants live upon a floating city; first time visits for the Race to locations such as Cambodia and Kazakhstan; and one Team makes an unprecedented mistake on the road that ultimately prohibits them from joining their fellow Racers at the finish line.

The cast also features couples in various stages of their lives - married beekeepers who have been together for years, a married but separated couple looking to rebuild their marriage, a newly dating couple still getting to know each other and best friends who are comic book aficionados and describe the Race as "the ultimate game on the biggest game board you can imagine."

THE AMAZING RACE was just nominated for its sixth straight Emmy Award for Outstanding Reality Competition Program, which the globe-trotting series has taken home five years in a row.

Following are the 11 teams, listed in no particular order:

Name: TERENCE GERCHBERG
Occupation: Running Coach
Age: 35
Hometown: New York

Name: SARAH LESHNER
Occupation: Wall Street Investment Analyst
Age: 31
Hometown: New York
Relationship: NEWLY DATING


Name: MARISA AXELROD
Occupation: Student
Age: 22
Hometown: Spartanburg, S.C.

Name: BROOKE JACKSON
Occupation: Graphic Designer
Age: 24
Hometown: Columbia, S.C.
Relationship: SOUTHERN BELLES


Name: ANDREW LAPPITT
Occupation: Student
Age: 22
Hometown: Tucson, Ariz.

Name: DAN HONIG
Occupation: Hotel Manager Trainee
Age: 23
Hometown: Wilmington, Del.
Relationship: FRATERNITY BROTHERS


Name: AJA BENTON
Occupation: Aspiring Actress
Age: 25
Hometown: Los Angeles

Name: TY WHITE
Occupation: Banker
Age: 25
Hometown: West Bloomfield, Mich.
Relationship: DATING LONG DISTANCE


Name: MARK YTURRALDE
Occupation: Treasurer of Comic-Con
Age: 41
Hometown: San Diego

Name: BILL KAHLER
Occupation: Student Aid Administrator
Age: 42
Hometown: San Diego
Relationship: BEST FRIENDS


Name: TONI IMBIMBO
Occupation: Accounting Consultant
Age: 51
Hometown: Woodside, Calif.

Name: DALLAS IMBIMBO
Occupation: Student
Age: 22
Hometown: Woodside, Calif.
Relationship: MOTHER/SON


Name: NICK SPANGLER
Occupation: Actor
Age: 22
Hometown: New York

Name: STARR SPANGLER
Occupation: Former NFL Cheerleader
Age: 21
Hometown: Fort Worth, Texas
Relationship: BROTHER/SISTER


Name: ANITA JONES
Occupation: Retired Paralegal
Age: 63
Hometown: Eugene, Ore.

Name: ARTHUR JONES
Occupation: Playground Maintenance
Age: 61
Hometown: Eugene, Ore.
Relationship: MARRIED BEEKEEPERS


Name: KELLY CRABB
Occupation: Sales Representative
Age: 26
Hometown: Houston
Name: CHRISTY COOK

Occupation: Business Development
Age: 26
Hometown: Austin, Texas
Relationship: DIVORCEES


Name: KEN GREENE
Occupation: Home Builder/Ex-NFL Player
Age: 51
Hometown: Tampa, Fla.

Name: TINA GREENE
Occupation: President BioPharmMed
Age: 48
Hometown: San Diego
Relationship: SEPARATED


Name: ANTHONY MAROTTA
Occupation: Mortgage Broker
Age: 32
Hometown: Los Angeles

Name: STEPHANIE KACANDES
Occupation: Financial Saleswoman
Age: 32
Hometown: Los Angeles
Relationship: DATING



So, it looks like everyone is adequately represented: The "Old" Couple, the bimbos, the long distance dating couple who's using the Race to see if they should move closer, the hippies, and various "Should they or shouldn't they stay together" couples who will no doubt argue their way through the entire competition. Yup, I can't wait!

The Amazing Race kicks off its 13th season Sunday, September 28th on CBS. For more, visit CBS.com.