Tuesday, April 07, 2009

'Chuck's' Father The Hero

Before I can proceed with this week's discussion of Chuck, I MUST give huge props to Scooter McGavin of Scooter McGavin's 9th Green for making this dead-on prediction on March 24th in the comments section here at PTR:
Not only do I think Orion is not dead, I started getting the feeling that Orion may turn out to be Chuck's dad during this episode as they seemed to disappear from society around the same time.

Nice call, Scooter.

I'll admit it -- while I was intrigued by the idea, I didn't think it could be possible. Not only is it possible, as we learned this week, it's true! Paint me shocked! Further more, any suspicion that I may have had going into the ep was completely erased as we got to know the older Bartowski better. And even though this Intersect connect seems incredibly improbable, I like it -- A LOT! There are tons of fun opportunities for future story lines and it gives Chuck someone to confide in other than his "handlers." Someone who gets it better than they do. There's a slight hitch in all of this, though, Orion is a bit indisposed at the moment. Minutes after learning that his father is the allusive Orion, Chuck had to watch as Roark and his Fulcrum buddies took him away at gun point. Seems they need the creator of the Intersect to help out with Intersect 2.0. This can NOT be good!

Speaking of things NOT being good, Ellie and Awesome are still dealing with the ramifications of last week's bachelor party. I'll admit that when we first saw the duo this week, I was scratching my head because everything seemed just peachy between them. I was beginning to think that this episode aired out of order when we finally had a reference to the infamous evening at the Buy More. Note to Devon... do not, I repeat DO NOT (perhaps, all caps and bolding will make this point crystal clear) bring up the bachelor party ever again. Not as a joke. Not as a "funny little memory." Not as anything. We know you did nothing wrong, but unfortunately, there are some pictures that say otherwise and since you can't remember (I know, not your fault), just zip it on the subject. And while we're on the subject of zipping it, I felt bad for Chuck because I know he wanted to be able to tell Ellie that their father didn't run off on them then or now. Just add it to the ever-growing pile of secrets Chuck has to keep from those he loves the most.

If you missed this week's episode ("Chuck Versus the Dream Job"), you can watch it for free at Hulu.com.

Saturday, April 04, 2009

'Chronicles' Wows - Enough Said

'Terminator: Sarah Connor Chronicles' Returns for Season 2By LillyKat
PTR Senior Staff Writer


An open letter to Terminator: Sarah Connor Chronicles

Dear T:SCC,

You got me.

Check that - you wowed me.

Left me with goosebumps.

Made me want to take back all of the bad things I said about your mid-season experiment into Sarah Connor Tangentland that did, effectively, bore so many of us to tears and lead some of the most loyal viewers - yours truly included - to question whether you were still worth watching.

And just when I thought you had forgotten how to create that sense of mystery, drama, sentimentality, excitement, action and suspense that made me love you so much throughout your first season, you deliver "Adam Raised a Cane."

And you have left me speechless in the process.

You let Summer Glau's Cameron kick arse, take charge and be definitive once again. No wandering around in her underwear. No useless standing around in the background doing nothing. Protecting. Ordering. Demanding. Directing. Just what a good machine should be doing. Just what she always did so well and of which made her so much fun to watch.

You stun us with the death of Brian Austin Green's Derek before I've even settled into the episode. No warning, no pomp and circumstance, no hoopla. Just appearing around the wrong corner at the wrong time. Bang. Gone. It was so simply perfect and absolutely fitting to have this character go down doing exactly what he was sent here to do - protect John.

You show us Lena Headey's Sarah still does have her own pair and is still willing to put the greater good of everyone above herself - no matter the weight of it, no matter its never-ending pursuit. The fight to protect John at all costs and save the world from the machines is, always has been and always will be hers until the day she comes around the wrong corner at the wrong time.

You show us that Thomas Dekker has finally be given the chance to embody the true quiet leader strength of John Conner. THIS is the man who really WILL grow up to save mankind. The sacrifices he must make for that to happen weigh on him heavily, but no longer in such a dopey, emo, poor-me way. And no sacrifice is perhaps more poignant than with the death of yet another person close to him, or with the capture of his own mother - both of which he comes to terms. But then again, that's what people do for John - they give up everything for him; they die for him. So not only do we see it with Derek's stunner and in Sarah's arrest, we FEEL it through John.

But most of all, you let little Mackenzie Brooke Smith's Savannah Weaver steal the entire episode with an unbelievably brilliant, most amazingly nuanced performance that actors twice her age sometimes fail to do. The chemistry she shares not only with Garret Dillahunt, but in character with John Henry, is just too.damn.good. I think her duet with Garret to close the episode will haunt me for weeks.

At the end of it all, I am left proud to have called you show my favorite. If next week is the last I see of you, I can honestly say you have done the one thing I had hoped this second half of the season would do: give some closure, be complete, and send it out with a wow and a bang.

And if you do make it back for a third season, may these episodes serve as your blueprint to remind you of what makes you work at your best.

Yours sincerely,

LillyKat
A Proud T:SCC Follower


The second season finale of Terminator: The Sarah Connor Chronicles airs next Friday at 8 p.m. on FOX. You can also watch full episodes online. Visit the Official Terminator: The Sarah Connor Chronicles Web site to catch up (or re-watch!)

'Bones' Gets Wild

This week's episode of Bones shone the spotlight on Cam and kept Brennan back in the lab. I thought that the change gave us an interesting contrast from the usual stoic Brennan to the very emotional Cam. It's not something I'd like to see with any regularity, but I thought the change-up worked as a break from the usual routine. Here's a closer look at this week's good, bad and ugly.

THE GOOD
I liked the way the episode took Cam out of the lab and fleshed her out a bit more. We learned about her past, we watched her weep for the man she almost married, and we saw her reunite with the child whose life she had been a part of for two years. Nothing about her journey in this outing could have been easy, but it helped her reconcile her past and move on with her future. I'm not sure how things will turn out with her and Michelle, but I have the distinct feeling that no matter what happens, Cam will now remain a fixture in that girl's life and that's a good thing.

THE BAD
One simple thing: there aren't any tigers living in Rock Creek Park (I live in the DC area). I know, it's a small thing and I normally give these shows lots of creative license, but this one oversight really bugged. Maybe, it's the fact that there are plenty of tigers right down the street at The National Zoo and it could have easily been used as the dump site -- I don't know. I suppose the sheer fact that this small, nit-picky detail is the only thing that I can put in the "Bad" category is, itself, a compliment to the episode.

THE UGLY
Jealousy! And you thought I was going to say the tiger-chewed remains (I almost picked it, but really, what else can I expect from Bones?). These women were all falling over themselves to be with the good doctor and when each found out she wasn't the only one (shocking, I know), they each turned into jealous-filled shadows of their former selves. Ultimately, it was jealousy that caused one otherwise seemingly normal nurse to become a murderer. And now, a little girl is without her father. So yes, jealousy gets the prize this week.

If you missed last night's episode ("The Doctor in the Den"), check it out for free at Hulu.com.

Thursday, April 02, 2009

'Damages' Tidies Things Up

Watch 'Damages' Second Season on FXBy LillyKat
PTR Senior Staff Writer


Well, that was tidy.

A whole lot tidier than last season's finale.

And whilst some might be disappointed/let down/not nearly as gripped to their seat as they were, say, at the jaw dropper season one ending, last night's finale of Damages worked for me.

Why?

I still don't know of any other show on television that consistently keeps so many irons burning in the fire - irons of which you need to keep track, not random B-storylines that comes in mid-season then disappear ne'er to be seen or heard from again - yet also see them smolder so beautifully until the very end of the season.

Less episodes on cable, sure. More time to make more of an impact with each ep and NOT have a lull, perhaps.

But as far as Damages is concerned, it is just really clever writing.

And storytelling.

And continually evolving characters that get more complex as the layers slowly and methodically get revealed to us with each passing episode of each passing season.

All of which are brilliantly woven together in one flowing tapestry - from the most minor of threads to the most obvious frays.

There is a reason Glenn Close won the Emmy.

And we should just give it to her again this year.

Her showdown with Rose Byrne ... I'm one for NOT being over the top; I am a firm believer in less is more. I think I could actually feel Patty's gut churning via that ONE expression only Glenn Close seems to have. Not to mention we saw Patty torn down a bit this season in a way that was perhaps only hinted at in the first season.

Sure, she flipped out on Ray's suicide, ordered Ellen killed, couldn't quite cope with what she had done. But this season, we saw what happens when people actually get to her, and it allowed us to start sourcing deeper into what makes her tick.

Rose Byrne is just so perfectly balanced against the intensity of Glenn Close that it's a cryptic match made in heaven. I still love how they've left Ellen so open-ended, and that she still seems to potentially have the upper-hand on Patty - or, at the very least, she is STILL the one Patty can't quite contain.

Ellen's closure was so necessary. I personally didn't want to see vengeful Ellen for too much longer. That said, I DO like seeing the outsmart-outwit Ellen. Like, Patty's one true rival. And we are left wondering where she will stand next season. There is no see-you-at-work-Monday this go around.

And how about EVERYBODY getting busted?

Now THAT I dig.

And I attribute that to the way the show slowed down it's storytelling approach this season so that if you missed an ep (or two), you weren't SOL in trying to catch back up. This, as we recall, was one of its main criticisms in the first season - it was, like, "too hard" to watch if you weren't there from episode one. Well, they gave you plenty of chances to get refreshed this season, and they reminded you of the key points of the various threads in the tapestry without completely sacrificing the flashforward/flashback storytelling format.

I, for one, liked seeing the bad guys get their due. And that Patty figured it all out just in the nick of time - even having to reach back out to newly-fired Tom when she realized she might have been one upp'd. This kind of tidying worked for me as it leaves me focused on what makes this show tick.

Patty v. Ellen.

Round three.

And it won't require a whole thesis to pick back up next season, either.

That said, there is a lot of personal baggage that may prove perfect for exploration NEXT season - Patty's divorce; her throwing out of son Michael after learning he never applied to college; her pretending she's not bothered by the uncertainty of what will be of Ellen.

I'm not sorry to see Kendrick go, and given Arthur Frobisher is still around ... well, we may also have round three of Patty v. Frobie.

Finn Garrity is still on the loose - and a self-proclaimed whack job. Since he was the one who stabbed Patty in the elevator in a last ditch effort to try and save himself as Patty was on her way to the now infamous showdown with Ellen, it won't surprise me if he returns. After all, that IS the twist on the whole Patty-staggers-out-of-Ellen's-apartment sequence.

Creepy detective Rick is DEAD - yay!

And what will become of Daniel Purcell in prison?

I think I'll affectionately start referring to the third season as that which contain the ghosts of Patty.

There are plenty of skeletons in her closet.

And less people to keep them there.

Which will have me right back front and center for the third season premiere.

To catch up on the Who, What, Where, When, Why and How of the show, head on over to the official Damages Web site. You can also download full episodes of the show over at iTunes.

Tuesday, March 31, 2009

'Grace's' Nice New Twist

By LillyKat
PTR Senior Staff Writer


Whew, that's better.

We returned to the good stuff this week on Saving Grace.

The really good stuff.

And I can now stop lamenting the loss of Christina Ricci to the cast because we've added Kathy Baker (er, at least for a few eps).

I've said from Day 1 some of the strongest eps of this show are when Grace deals with her nephew, Clay. I'm going to have to add to that when she is genuinely concerned for her family on the whole, it also makes for excellent viewing.

It shows us the evolution and maturing of the character.

It gives us the it's-not-all-about-Grace sobering moment.

Like her unsolved case that we'll call The Katherine Rose - and the father that sends her a rose each month to remind her.

Or her revelation that the new bar maid, Maggie (played fantastically by Kathy Baker), is also her brother-in-law's new main squeeze.

Much to her chagrin. And suspicion.

Sure, she acts like she's happy for Doug; that she digs he's finally found someone. Meanwhile Grace is running Maggie through Interpol given the first run through of her record came up clean.

Suspect much, Grace?

And yet, there is something quite genuine in what she's doing. Sure, she might be taking things a bit TOO far. Or abusing her authority as a detective.
But this IS Grace Hanadarko - when does she ... uh, not do that?

And this is, after all, the side of her family she has the most guilt for given Doug is the husband of her sister who died in the Oklahoma City bombing - which as we know Grace feels responsible. Clay is her guilty conscience. Anything that ties back to Clay is in her crosshairs. She is determined not to let anything happen to her family ever again. I kind of dig that about her.

I also suspect we aren't getting the full story with Maggie. Something seems ... fishy? Maybe I'm buying into Grace's paranoia, or maybe it's just the previews for NEXT week's ep.

In any event, I like the side of Grace we're seeing in this second half of the season - save for last week's return to ... ahem, the old days.

I also really, really, really, really want Leon to get off Death Row. The visit from his high school gal pal, and the video message from his high school reunion saying they love him ... awww!

C'mon, Leon. Fight for yourself, will you?

New episodes air Mondays at 10 p.m. on TNT. You can watch full episodes of the show anytime over on the show’s official Web site. You can also visit EmbraceYourGrace.com to share your stories of how you embrace your inner-Grace.

'My Boys' Returns with Love & Laughs

When My Boys kicks off its third season tonight, things are going to be a little different for PJ. Let's just say, her Facebook status is about to change. Recently, star Jordana Spiro spoke with bloggers about the change during a conference call, and PTR's own LillyKat took part. "When you get into a healthy, stable relationship some people say that that’s the kiss of death for comedy, but I sort of feel like it – it just opened it up to all the different issues that come into play in a relationship," Spiro said during the call. But don't expect PJ's new-found relationship to look like a typical TV romance. "They’re not a couple that displays public affection constantly, and they don’t like to rub it in their single friends’ faces that they’re a couple, and they’re not always sitting on each other’s laps, or fawning at each other, and I think that that’s kind of a fun way to be on a TV relationship." She also hinted that all of the characters will have some "pretty big changes" this season. But, she was quick to point out that while some things change, others stay the same. "I think you’ll wait and see, but as far as like the friendships go and the dynamic between the friends that does stay the same."

The first couple of seasons of the TBS comedy have seen PJ go through a few ups and downs on the dating front. Spiro says that she can relate to this -- and many other aspects -- of her character. "Everything about PJ is very similar to myself, and in fact when I initially read this script, one of the things that I loved about it so much and responded to so strongly was the fact that she just felt so close to me, and not only to me but to my other girlfriends," she recalled. Spiro also believes that her 30-something alter ego is maturing as the show goes along. "It was always [creator Betsy Thomas's] goal to watch PJ become more of a woman, and sort of try to [grow out of] this extended adolescence that PJ finds herself in, and I think we see that happening, but I think that happens in a very realistic pace." And with this gradual maturity comes this new-found relationship, but expect a few normal bumps along the way. "I think that the challenges that are indicative to any relationship, which is, you know, what is the speed with which you go – with which you progress a relationship, and when is it time to move in, when is it time to say I love you, when is it time to move to the next steps."

To find out who PJ is embarking on a stable relationship with (will it be Bobby, his brother or someone else entirely?), check out the My Boys 3rd season premiere tonight (Tuesday, 3/31) on TBS. For a recap of the show thus far, click HERE. Want more info on My Boys? Click on over to the official web site and the fan Facebook page.

DON'T FORGET TO ENTER THE "WHOSE 'MY BOYS' LINE IS IT ANYWAY" SWEEPSTAKES FOR A CHANCE TO WIN AN AUTOGRAPHED MY BOYS POSTER!!!

'Chuck' Breaks Hearts

Photo: NBC

Sometimes, bad things happen to good shows (and conversely, good things happen to bad shows). This week's heavy-handed "48B" was a bad case of the former. We all knew that Sarah wasn't going to be replaced by the chick from Battlestar Galactica, so pretending like she was served as a minor distraction and a major annoyance. And why would a general at the NSA who was dead-set on separating Sarah and Chuck (even though just last week, everything seemed fine and dandy) change her mind with little more than a shoulder shrug and a simple "OK, you're right" after Chuck pointed out the relationship he has with Sarah made her better suited for her role as his protector? It just seemed way too simple even for this show. I can't say I'm complaining about the outcome, though; just the method in which we got there this week.

One thing is certain -- someone at Team Chuck better make things right between Devon and Ellie, STAT! He did nothing wrong at that bachelor party (in fact, he did everything right), but thanks to a bad run-in with a tranq gun and Lester's bachelor party virgin mishap with the camera, Ellie thinks differently. I haven't quite decided how they can fix this one, but that's why I don't get paid the big bucks. I just hope they write themselves out of this one ASAP and this doesn't turn into some sort of long, drawn-out Ellie/Awesome drama. Not cool.

And then there's the little matter of Chuck's dad. Obviously, something is about to go down there (and you didn't need the ohso revealing preview to tell you that). Poor Chuck -- he can't catch a break!

If you missed this week's episode ("Chuck Versus the Broken Heart"), you can watch it for free at Hulu.com.

Monday, March 30, 2009

'Friday Night Lights' Stay On for Two More Seasons

Yes, Virginia there is a TV god! Mike Ausiello at EW.com is reporting that his sources at NBC are confirming that PTR fave Friday Night Lights has been renewed for not one, but TWO more seasons (insert happy dance here). Special thanks to LillyKat for the heads up. Here's the full story from Ausiello:

It's official: 'Friday Night Lights' renewed for two more seasons
Mar 30, 2009, 06:58 PM | by Michael Ausiello
Categories: Friday Night Lights

Touch-freaking-down!
Sources at NBC are now confirming what I first reported earlier this month: DirecTV and NBC have come to terms on a deal that ensures Friday Night Lights will stick around for not one but two more seasons!
And I repeat: Touch-freaking-down!
Although NBC declined to comment, my Peacock insider says the pact guarantees that FNL will see a fourth and fifth season of 13 episodes each. Similar to this season's shared-window experiment, DirecTV will get first crack at the episodes followed by an encore run on NBC.
Let's get a chant going in the comments section! And while you're at it, pray that the show's creative mastermind, Jason Katims, finds a way to juggle both FNL and that prospective Parenthood series he's producing for NBC. Ditto director Jeffrey Reiner, who's attached to NBC's Trauma pilot. Losing one would be devastating; losing both would be a catastrophe. So how about we lose neither? You with me?

Now, we just have to keep our collective fingers crossed that Cold Case, which seems to be experiencing a sort of rebirth as of late, gets the same glorious news.

Lilly's Checkmate

Remember the whole "possible versus probable" discussion when you were in school? Well, this week's episode of Cold Case was a textbook example of that classroom lesson. Is it possible that shards of glass from 50 years ago were hanging around in the vent next to the glass cabinet (No one cleaned or replaced the vent in 50 years?) and that one of those shards just happened to contain enough blood evidence that yielded DNA? Sure, it's possible. But, really, do we think it's very probable? I have to confess that this one part of the story (which turned out to be nothing more than a red herring anyway) really kinda irked me throughout the hour. Unfortunately for CC, this wasn't the only detail that irked me, so overall, I found the case to be pretty blah and forgettable. Fortunately for CC, they threw in a couple of stellar Lilly/Paul Cooper scenes that literally saved the episode.

The slow, but steady unfolding of the story between Lilly and her father has been nothing short of brilliant. It has showcased the immense talent of Kathryn Morris and recurring guest star Raymond J. Barry. It has stayed true to the character of Lilly -- the one we fell in love with way back in season one (you know, the confident, but cautious; fun, but sensible Lilly Rush who had a healthy devotion to her work). It has revealed more about the character in a few short meetings than a season did with the predictable, overdone story line between Lilly and her alcoholic mother. I see a beautiful, meaningful relationship between Lil and her dad blooming and if this trend continues, it will only strengthen the show. Perhaps the best piece of history between Lil and her dad was that little Christmas anecdote about Lilly taking her mom home after another bender and finding the bike on her front steps. Now, we all know it didn't come from mom. This little story was the missing piece in the history of Lilly and Paul Cooper. He hadn't abandoned her. He still cared about her through the years and he seems to want nothing more now than to reclaim the gap between Ellen's drunken stupors and his daughter's career as an esteemed cold case detective. Finally, someone in Lilly's life who is good for her -- who can ground her and hopefully, teach her how to trust again. This is the story line I have been waiting for.

Once again, HUGE standing ovation to the amazing Kathryn Morris for her quiet, yet spot-on performance. She alone could put this one in the "win" column, but her scenes with Raymond J. Barry were enough this week. CC moves to 18-0-1 on the season. Screencaps courtesy of RichE.

Sunday, March 29, 2009

'Chronicles' Ode to Charley

'Terminator: Sarah Connor Chronicles' Returns for Season 2By LillyKat
PTR Senior Staff Writer


Charley Dixon: R.I.P.

Thank you, Dean Winters.

The real Terminator: Sarah Connor Chronicles has finally stood up.

Bummer that we now have only two more eps in which to wonder: a) if season two is the last we'll see of the series; or, b) if we will be set-up for a third season. After lamenting the show's demise into mediocrity for several several mid-season eps, it's given us four solid episodes in a row. With Charley's return this week, it got even better.

Even if he didn't make it out alive.

Strangely, I was okay with that - which is a rarity given I genuinely DISlike when my fave characters meet their maker.

But Charley died protecting John - another sign of his devotion to the Connors.

And why he has always been one my favorite characters in the series.

He was the best thing to ever happen to Sarah and John. He believed in them wholeheartedly, cared for them genuinely, even bought the whole end of the world ticket - give or take a tense confusing moment or two, which included the death of his wife. To me, it was like having Kyle Reese around - a reminder of what is good and right with both Sarah and John, but also a reminder of the curse of their fate.

But Charley disappeared for most of this season.

And that was a mistake.

As we saw with this episode, it would've been better had he stuck around. We might have been spared the drippy dopey Sarah John Riley Jesse Tangentland route.

Charley wasn't a tangent.

He wasn't an unnecessary character.

He wasn't out of place.

He challenged Sarah.

He understood John.

He had depth.

He suffered.

He remained loyal, understanding and dedicated to the Connors.

He was, indeed, one of the very few people they could truly count on - and he didn't even come from the future.

I'm sorry that he won't be around anymore, but given the show's questionable status about being renewed, I find it fitting he was given a honorable death.

Now, there were other key elements in this week's ep that are setting up the finale quite nicely: John Henry went a little haywire after being hacked into from an outside source (read: there's another JH out there thanks to good ol' Myles Dyson's work); Derek and Cam having a heart to heart (okay, not really) about the fact Jesse was pregnant with Derek's baby in the future and miscarried upon her return from the doomed voyage of the Jimmy Carter; Cam going to rescue Derek after being tracked down by thugs working for the second JH (we think); Sarah realizing that whilst she doesn't have breast cancer as yet, she was implanted with a transmitter back during her kidnapping (you know, the confusing ep about what was real and what wasn't)

But really, this ep was about Charley for me.

And putting a great character to rest.

New episodes of Terminator: The Sarah Connor Chronicles air Fridays at 8 p.m. on FOX. You can also watch full episodes online. Visit the Official Terminator: The Sarah Connor Chronicles Web site to catch up (or re-watch!)

Thursday, March 26, 2009

'Damages' Still Has Damage to Be Done

Watch 'Damages' Second Season on FXBy LillyKat
PTR Senior Staff Writer


So, I have this problem.

I actually don't want to write about this week's ep of Damages until I see how it ends NEXT week.

It's a strange dilemma because I once again found myself completely in awe of the creative genius that IS this show. I have said it for two straight seasons: I just don't know how they do it.

How they manage to take all these threads and weave them so brilliantly into one complete tapestry in half the time it takes for a network show to even start to get interesting just amazes me.

Still.

Thank the TV gods FX renewed the show for seasons two AND three last year, otherwise I'd already be begging that it should come back for a third season.

Thankfully, we already know it will.

And you can bet that however this ends next week - Ellen shooting Patty; Tom having been fired/now in cahoots with Ellen to take out Patty; Walt Kendrick meeting his match in Patty with her proof he's manipulating the energy market AND poisoning the state of West Virgina; Daniel Purcell finally doing the right thing and having to live with his decision in the nine circles of hell; Phil and Patty starting the divorce of all divorces that is going to get even uglier than the UNR case - you KNOW we are going to be set-up for the third season.

And we will be kept waiting in grand anticipation.

Just like I am - right now - for the finale next week.

Which will be a special 90 minute whopper.

Ding!

We've reached the penthouse floor of our second season elevator ride of suspense.

Step off. Stand in. Hang on. Watch out.

The special 90-minute second season finale of Damages airs next Wednesdays at 10 p.m. on FX. To catch up on the Who, What, Where, When, Why and How of the show, head on over to the official Damages Web site. You can also download full episodes of the show over at iTunes.

Win 'My Boys' Swag

We are less than a week away from the season premiere of My Boys. To celebrate this exciting occasion, PTR is giving you an opportunity to win a fabulous My Boys-related prize: this poster (left) of the cast signed by the cast courtesy of the awesome folks at Turner. So how do you get the chance to win the autographed poster, you ask? By determining which characters said what from a collection of quotes from the show.

THE RULES:

To submit your entry, please send an email with your answers to: TVFan08@yahoo.com (that's a "zero" 8 before the "@" sign) with "My Boys Sweepstakes" as the subject.

ALL ENTRIES MUST BE SUBMITTED BY THE START OF THE MY BOYS PREMIERE TUESDAY, MARCH 31st AT 10:30 P.M. (EST). ALL ENTRIES SUBMITTED BY THE DEADLINE ARE DEEMED ELIGIBLE AND A WINNER WILL BE CHOSEN AT RANDOM.

DO NOT LEAVE YOUR ANSWERS/ENTRY IN THE COMMENTS SECTION. IT WILL BE DELETED AND NOT COUNT. YOU MUST EMAIL YOUR ANSWERS TO TVFAN08@YAHOO.COM.

And now, PTR proudly presents (with a special thanks to the folks at Turner)...


WHOSE MY BOYS LINE IS IT, ANYWAY?
How well do you know your My Boys crew? PJ, Stephanie, Bobby, Kenny, Mike, Andy and Brendan all have their unique take on things. See if you can determine which of the seven friends said the quotes below.

1. “This job is horrible, but it is making me dumber at a rate that in a few weeks, I will be too dumb to notice.”

2. “You don’t share meals with someone you are not sleeping with. Except fries. Dudes share fries.”

3. “You know in your heart when it's the right person… but, what the hell do I know, I'm not the one getting married.”

4. “If you wouldn't mind marrying my dad, I think that would take a lot of the pressure off.”

5. “A British accent could make Jim Belushi sound cool.”

Send your guesses to TVFan08@yahoo.com and you could be the recipient of your very own autographed My Boys poster.

And, don't forget to tune in to the 3rd season premiere this Tuesday, March 31st on TBS. For more info on the new season, check out the official web site and the fan Facebook page.

Tuesday, March 24, 2009

'Grace' Back to Her Old Tricks

By LillyKat
PTR Senior Staff Writer


All good things must come to an end.

Like detectives Grace Hanadarko and Ham Dewey remaining thankfully wonderfully blissfully apart.

Ugh.

Did I mention I miss Christina Ricci?

Like, a lot?

Abbey, come back!!!!!!

This week's episode of Saving Grace are the kinds I can do without.

Or, perhaps I should say the return to the smothering, over-the-top, obsessive compulsive codependent mess that is the relationship between Grace and Ham is something I can do without.

It was so refreshing NOT having them together, seeing both characters grow beyond each other's mess. Now that they're back, it's kind of making my skin crawl. Something about Holly Hunter and Kenny Johnson is just becoming too much. Is it possible to have too much chemistry? I dunno. If it is, they are guilty of it. This is no disrespect to either actor, but at some point, I just roll my eyes with their characters' constant drooling over each other with every look, every sentence, every head nod, every laugh, every glance ... just.stop.it. In fact, I'm now wanting IA to find a reason to send both Ham and Grace to opposite ends of the earth.

'Cause then we could bring back Abbey.

But seriously, since Ham and Grace were jonesing for each other from the get-go, what do we think the case about?

Sex.

Lots of sex.

The 5-6-7-hour Tantra version(s) between a sex god and all of his goddesses - one of whom ends up dead in his pool ('cause when you're gettin' your freak on with everyone in the neighborhood - single, married or otherwise - they can just pop over whenever they feel like it). And since the show has a history of being in your face with and about every sexual encounter Grace has ever had, I found this episode one big let's-talk-about-sex-baby excuse.

And really, that premise got old after season one.

Plus, I had a hard time believing any police department in the nation would allow its detective to practically HAVE sex whilst questioning a suspect.

Or be taught the finer point Tantra.

Or whatever.

I usually am one for lending shows a lot of creative license, but this was just absurd. Again, was this an excuse to allow for more HHWMs? (Holly Hunter Wardrobe Malfunctions; read: have her wander around naked for half the ep?)

Just. Stop. It.

Seriously, we had excellent back-to-back-to-back eps that didn't focus on the Ham and Grace obsession or figuring out how they were going to bang each other in a new fashion.

That included the Bobby storyline, whereby he is continuing to recover from his deep cover assignment as part of a child sex ring. THIS kept me intrigued this week, and it was the highlight of the ep - including his release at the end to Grace (the only good thing she seemed to do for me this week).

I feel for Bobby. I really do. I also feel for Butch, who is stuck in the middle of his partner's delusions as a result of the horrors he encountered WHILST undercover. While I do hope their partnership survives, I confess I wouldn't be sorry if we found another reason to separate Ham and Grace.

Even without Abbey.

New episodes air Mondays at 10 p.m. on TNT. You can watch full episodes of the show anytime over on the show’s official Web site. You can also visit EmbraceYourGrace.com to share your stories of how you embrace your inner-Grace.

'Chuck' Searches for Orion

When the General stated that there is a secret war going on between the NSA/CIA and Fulcrum, I couldn't help but to have some flashes of my own: to Get Smart and the war between Chaos and Control. This of course, got me thinking about all of the parallels between Get Smart and Chuck. Chuck Bartowski, himself, is a modern-day Maxwell Smart and Sarah could certainly pass for Agent 99. OK, so there's no shoe to talk into, but there is a secret underground lair beneath the Orange Orange and this episode had a computer that you could talk into and it would talk back (sort of). And we can't forget all of Chuck's bloopers on the job that have almost cost him the mission over and over again ala Maxwell Smart. Of course, Chuck is playing off of many spy classics (James Bond, Get Smart, Charlie's Angels -- just to name a few), but this is why I enjoy it so much.

Is anyone else kinda miffed that we didn't get to learn Orion's true identity? I'm still holding out for a surprise ending where Orion wasn't in that helicopter, whereby, he's still alive and he and Chuck can still have that face-to-face meeting at long last. Yeah, I know. Highly unlikely, but a TV fan can dream, right? In any event, the secret to getting the Intersect out of Chuck's head did not blow up in that helicopter with Orion. Thankfully, the allusive spy planned ahead and left some clues under Chuck's pillow. There's only one little hitch: Chuck can't share them with anyone -- not even Sarah. And this is after she got all upset when he didn't trust her enough to tell her about his private search for Orion. It's never an easy road, I'm afraid. Then again, where would the fun be in that?

And speaking of fun, how clever was that Beverly Hills "Buy More" sign? It read:

Beverly Hills
BUY MORE
Because you can

Obviously, it's supposed to be read as: Beverly Hills, buy more because you can! Too funny.

If you missed this week's episode ("Chuck Versus the Predator"), you can watch it for free at Hulu.com.

Monday, March 23, 2009

'Case' Plays Mind Games

There must be some sort of unwritten law of television that a show starts to get awesome again just as talk about its not so promising future arises. Clearly, this recent spat of Cold Case episodes were written and filmed before the "possible cancellation" talk started, so it's not like they stepped up their game just to prove a point. But somehow, by chance, the show has done just that and it has made the dreary news, well, even dreary-er. This week's excellent episode was an exercise in good story telling, lots of Lilly involvement, Scotty adding his own personal experience with schizophrenia without hitting us over the head with it, and so many good scenes that it would take me several posts to discuss all of them in detail. I honestly haven't been this excited about the show since season 2. Three weeks in a row of stellar outings -- perhaps, CC should take random hiatuses more often (totally kidding, CBS).

It's hard to put my finger on what it was about this story that made it so special. Maybe it was the "prove that the schizophrenic kid didn't do it" aspect (as opposed to the show's usual prove who did it formula) or the clever manner in which the story unfolded via typical flashbacks as well as a look inside Pete's convoluted mind. I LOVED the way Mr. Exley was a combination of Pete's deceased brother and the manufacturer of the playground equipment they used to play on together. And I LOVED the way the "inner plane" was really just a map of the same playground equipment. It was just so well done. And can you believe how fabulous Lilly looked through Pete's eyes??!! So, the folks at CC do know how to make her look as beautiful as she is! Who'd have thunk it? Actually, she looked great throughout the episode this week (aside from the ridiculous clown make-up they had on her during that court scene and the ensuing one in the hallway). I'm not one to discuss the superficial, but I thought I'd give the CC crew props because they always get criticized for the way they have Lil looking.

Is anyone starting to think that Lil and ADA Curtis Bell are hitting it off really well? I can't figure out if the show is trying to hook them up or not. Although, they do seem to have him in the show for random reasons and those reasons always lead to scenes with Lil, so going off of past experience, all signs are pointing that way. I like him. I just hope he doesn't "Kite her" because I'm still not over that relationship.

CC easily jumps to 17-0-1 on the season. Screencaps courtesy of RichE.

BTW, series star Kathryn Morris appeared on Regis & Kelly this morning where she revealed that the 2-part season finale will use songs from the band Pearl Jam and will reveal secrets from Lilly's past. She also teased that Lil will show up in a flashback. She promised that it's an intense race to solve the murder of a female cadet at a military academy whose journey parallels that of Lilly's. Let's hope it's as stellar as this recent run of episodes!

Saturday, March 21, 2009

'Chronicles' Strong Again

'Terminator: Sarah Connor Chronicles'By LillyKat
PTR Senior Staff Writer


Hal-o-freakin-lluah.

John Connor finally grew a pair.

As I said last night, Twitter-ing through the latest offering from Terminator: Sarah Connor Chronicles.

Why oh why did it take almost the entire second season to get to this point?

I have no idea.

But this is now, by my count, the third strong episode in a row whereby the show seems to have: a) righted itself; b) stopped dwelling in its own emo-ness; c) quit exploring Sarah and Derek Tangentland; and d) finally gotten back to its core fundamentals with regards to the fight to save mankind.

And did we mention John finally grew a pair?

With both FOX and the show's own writers having told creator Josh Friedman that his mid-season Sarah eps were a snore to watch, and thus, NOT the strongest offerings ... well, they were right. I finally feel as if I'm back to watching the T:SCC I started watching LAST season, yet couldn't figure out where it went THIS season.

Highlights:

- John being on to the Jesse and Riley chronicles: FINALLY, he shows us once again why he becomes the leader of mankind.

- Jesse offed by Derek: Amen to that. I've long wanted her out of the picture simply because she took the focus off our core characters and/or seemed to have such a flimsy connection to past, present and future. Plus, she served as Derek's booty call, which I could've done without. Kudos to Derek for manning up and knowing she needed to go even if John agreed to spare her life AFTER he confronted her on Riley's death.

- Jesse's sub mission in the future: There have been too few of these future sequences to remind us of what it is at stake. Not to mention they give us additional context of how the resistance uses the "good" terminators, and the varying degrees in which they get along - or not - WITH the "skins." Ironically, as annoying as the Jesse character has been for me in the PRESENT timeline, I actually came to like her a ton in the FUTURE timeline.

- Cam v. Jesse (future): Any time we see Cameron in the future is a highlight. Actually, any time we see Cameron being Cameron is a highlight.

- T-1000 Magic: I dig every time they throwback to the T2 film and give us some liquid metal.

- John Henry's Toy Shop: He continues to evolve in a way that seems to suggest he's going to get up out of that chair. Even the Shirleymeister seems to be wondering whether she can contain his ever growing appetite to investigate - which naturally exposes some of her ... well, let's just say tricks of the Skynet make-humans-disappear trade. Plus, I just enjoy watching Garret Dillahunt give us the gentle, kind, boyish JH, then switch to the inquisitive, investigative, ominious JH. It's like you want to hug him, but you fear him at the same time. Er, at least I do.

It's episodes like this that make me want to see the show make it to a third season.

New episodes of Terminator: The Sarah Connor Chronicles air Fridays at 8 p.m. on FOX. You can also watch full episodes online. Visit the Official Terminator: The Sarah Connor Chronicles Web site to catch up (or re-watch!)

Friday, March 20, 2009

The 'Bones' in the Salt

It's bad enough waking up to ice on the roads, but getting out to the truck only to find a dried-out body in the salt that's suppose to be melting that ice is a whole new definition of a rough morning. Fortunately for us, it did make for an interesting case. Here's a look at this week's best and worst.


THE GOOD
As usual, there were many elements that could fit this bill, but Angela and Sweets pretending to be married in order to nail the chiropractor for the murder of a young pregnant teen was the best part of this episode. I laughed at their banter-filled exchange in the waiting room, but it was their scene inside the examine room that stood out. I loved Angela's "He spends a lot of time on the net -- if you know what I mean" and Sweets's painful adjustments all in the name of justice. Good stuff. Honorable mention goes to Bones for thinking that Clinton was former President Clinton. Hi-Larious!! Second honorable mention goes to Booth's excellent scene at the end with the younger Clinton.

THE BAD
This one is easy -- Angela refusing to confront her hurt feelings and turning to a romp with Hudgins instead. Now normally, I would applaud any effort to put these two back together (I'm still not happy with the show's decision to break them up during the season premiere), but this was all moment and no future. It works for Angela, but not so much for Hodgins. So, he's back to pining over her and holding onto an earring that his heart just can't allow him to give back to her. And just when he was starting to get over her.

THE UGLY
Something about that "re-hydrating the flesh" scene just didn't sit well with me. Thankfully, I wasn't eating dinner while watching this time (I know, it sounds like I'm making progress, but it's merely a coincidence). Blame that body- in- the- fish- tank shot about midway through. Overall, though, this outing was a bit lower on the "Ugly" scale than previous ones.

If you missed last night's episode ("The Salt in the Wounds"), check it out for free at Hulu.com.

PTR Exclusive: It's Me and Victoria Stilwell

Victoria Stilwell of Animal Planet's 'It's Me or the Dog'By LillyKat
PTR Senior Staff Writer

Confession: I'm now following AP.

No, not the Associated Press.

Animal Planet.

True, Damages and The Closer it is not.

But Victoria Stilwell and It's Me or the Dog it is.

And I'm hooked.

It gives me a much needed break from my usual coverings of homicide detectives, serial killers, conniving high-powered attorneys conjuring up murder plots, Bering Sea fishermen dancing with death and Skynet machines out to destroy mankind (yes, I've said this before, but it's worth saying again).

It's Me or the Dog just wrapped up airing its first full season here in the US and has begun filming its second season. If you haven't watched the show, you should - and this is coming from a cat person. I confess Victoria makes me feel as if I could become a dog person, and she recently took time out of her rather busy schedule to chat with me about the show, the differences in training methods available to dog owners today, and what she hopes viewers are able to get from the program.


How’s the show going for you thus far? You’re now filming the second season, correct?

Yes. What’s happened in the last two years [on Animal Planet] is you've actually seen four seasons of programs that were filmed in England [and were the English versions of the show]. Now, we’ve finished the first season here in the United States and just started filming the second season. There’s going to be 25 episodes in the second season, with five clip shows that are sort of the “Best Of.” I think it’s going to be a very exciting season. We’ve got some great families lined up, some great dogs, some very interesting problems. We’re filming pretty much until the new year, but the new season should start airing in June.

Do you have additional celebrities coming in for this season, or do you know as yet?

Yeah, we might have. I’m not allowed to say at the moment who they are, though.

Ah, got it. And you film the show in both Los Angeles and Atlanta?

Yes. So we film, like, 10 episodes in LA and 10 in Atlanta. And if there is a third series, we might travel a bit. But with family commitments, it’s sort of important to keep it simple.

Do you get back to England much these days?

I used to. This year I haven’t; last year I didn’t. But we are going in a couple of week’s time. It's pretty tough being away from mum, my sister and my family over there. So when we do go, it’s extra special.

What’s the biggest difference between the US and UK versions – or is there a difference? Is it the people? The pets?

The British programs were half an hour, and the American programs are an hour long. So, you see more of the training process. And, some of the comments I’ve received is that the British program seemed to be a bit edgier. I think the only real reason for that is because things had to be crammed into a shorter amount of time.

With regards to dog owners in both places, there are very few differences, more similarities. Both Britain and the United States are passionate, dog-loving nations, but I think dog owners in Britain enjoy a big freedom with their dogs because most parks and green spaces in Britain are “off leash.” So, you don’t have to take your dog to a dog park, for example, like you have to do here in the States. So, in a way, there’s less leash aggression. Dogs are able to greet each other under their own terms, and have the space to increase distance if they want to while not being tied to their owner at the other end of the leash – which can cause problems, especially if the dog is uncomfortable in another dog’s presence. The leash laws are tough here [in the States]. I'd say that is probably one of the [biggest] differences.

Victoria Stilwell of Animal Planet's 'It's Me or the Dog'I would also say that in Britain, British dog owners have embraced the positive reward training methods more than American dog owners have, and I think that is because the information has been available for longer [in Britain]. They seem to understand that the positive, reward-based training is the better way, now. I was actually quite shocked when I first came over to the states to see how traditional the training still was. And, unfortunately, the dominance-based training is based on highly flawed research that was done in the 1970s and has now been debunked by not just the American Veterinary Society of Animal Behavior (AVSAB) but also top behaviorists and methodologists in the world. So, we’re moving into a new era of training our dogs.

What do find the most challenging aspect of what you do – both as a trainer and what you do on the show?

I would say motivating owners to work at the training after I've left is the biggest wall I have to climb.

The follow-up visits always show us how the owners are doing after you’ve left. You can see whether they’ve stuck with what you’ve told them to do, or gone back to their old habits. Are you disappointed when they do take a few steps backwards?

Yes, of course. But, as soon as I go into a house that very first time – within the first hour – I know whether these people are going to work at it or not.

Is it just a vibe – a feeling that you sense?

Victoria Stilwell of Animal Planet's 'It's Me or the Dog'Absolutely. It’s a feeling. When you train to become a trainer, you have to be a really keen observer of human behavior, and I don’t believe you can be a good trainer without loving people as well. So, I’m a keen observer, and I’ve studied human behavior. I feel like a detective when I go in [to some of the homes] because I pickup clues from the environment at all times. On the show, it might just look like I come in and chat [with the family], but I’m actually scanning [the environment]. I get a lot of information very quickly from people’s body language, what they tell me, their attitude, so I pretty much know who is going to work and who is not.

At the same time, I always try to work so hard to motivate people, and it is disheartening when I do go back and some people haven’t tried. Sometimes, I’ll be a little tough on them. Other times, I’ll be like, ‘Alright. Let’s do it again. Let’s try it again.’ At the end of the day, it’s up to owners whether they want to continue. I just don’t ever like leaving knowing somebody is just not going to do the work because their animals are really worth it - and they’re going to have an easier life because of it.

Do you find that some of your celebrity clients, like actors, are more suited to work at the training – given that in their profession they are used to being directed on what to do – as compared to the regular family off the street? Or is there much of a difference?

I really don’t see too much of a difference. It comes down to personality. Now, the differences that I have seen are, for example, when I was training in Manhattan, and I would go to the Upper East Side into these incredibly wealthy family homes where the maid [or housekeeper] was in charge of the dog, not the owner. Even though my consultation was with the owner, I would always say that we need to have the housekeeper or whomever [is going to handle the dog] along [for the training]. In those circumstances, I would get less success than going to the Bronx or Harlem or the Lower East side with people who were working with the dogs themselves. In that respect, I did see a difference.

But every problem is unique, and there are totally different techniques within one behavior methodology. It’s not just about rewarding with treats, for example. There’s so much [to explore] with the reward-based training methods, so many different techniques people can use. That’s why I like it. Every single consult is tailored differently so that every single dog is successful. That’s why I think it’s a really great [method] for people because there are so many different things they can try. And it's all positive.

Victoria Stilwell of Animal Planet's 'It's Me or the Dog'What has been the most rewarding or favorite part of doing the show?

It really is seeing the dogs and the owners blossom, and the massive improvement in behavior problems. The success of that is fantastic for me – not just on television but in my private consultations as well. The biggest success is keeping the dogs in their homes, and improving the lives of the dogs and their families. That’s why I do this job. I believe we have domesticated these animals, and we have a responsibility to treat them with dignity and respect and do what we can as owners to keep them in our homes rather than see them as disposable property to chuck into a shelter if things go wrong. That’s what I like about my program – it’s information that anybody can use with their dog. It’s like people training for dogs. Anybody can watch the show, pick up a technique, go back to their dog and use it. It’s great take home information.

What are your inspirations – either in your work or in life in general?

My inspirations … I just want to provide people with the right kind of education so that there’s less animals given up to shelters. I want there to be a resource that can help people. I think that’s a massive inspiration for me.

But I suppose personally-wise, I’m a mother, and the biggest thing in my life is to make my child’s life the best it can possibly be. My daughter is my true inspiration. My husband as well is the most amazing man – we’ve been together now for 12 years. I think [my inspiration] is my family – there’s nothing better than family.

I know the show keeps you awfully busy, but is there anything else you’re working on?

Yes, I am actually working on another book. I’m very excited about it because you basically follow me through a whole bunch of case studies. It's my experience, and you can get a lot of great information about how to tackle a particular behavior problem. So, that’s in the works. It’s tentatively called “Positively" and should be out next year.

We're also starting the Victoria Stilwell Think Dog Foundation in June. We want to raise money for the smaller rescue shelters. The larger rescues always get considerable funding, and it's always the smaller shelters that [tend to] lose out. But, not only that, we [also] want to raise money for various foundations that work with dogs and disabled children, for example, or hearing dogs for hearing-impaired people – that kind of thing. So, we're going to be raising money for assistance dogs and their organizations as well as the rescues.

We here at PTR look forward to the second season of It's Me or the Dog and thank Victoria for taking the time to chat. Tune in Saturdays at 9 p.m. to Animal Planet for It's Me or the Dog. And be sure to visit Victoria's official Web site, VictoriaStilwell.com to catch up on all-things Victoria. For more of Victoria's insights from this Q&A, you can also visit BlogTails by Love Da Pawz.

Thursday, March 19, 2009

'Damages' Juicy Bits

Watch 'Damages' Second Season on FXBy LillyKat
PTR Senior Staff Writer


Wait. Time out. Flag on the play.

So, Ellen DOES shoot Patty?!?!?!??!?! There isn't someone else in the room and/or Patty doesn't stumble into the elevator in shock from being a witness to Ellen's vengeful side?!?!?!??!

Egads, folks.

How the frick did I miss THAT?

I thought she was just ... that there wasn't ... that she had only ... oh, ne'er mind.

Wowza.

This would again be why I love this show: just when I think I've got something sorted out, it turns me around and throws me for a loop.

We only have TWO episodes left.

And they're being set-up to be another pair of humdingers given: a) Claire Maddox is now ousted as head legal counsel UNR after trying to pull off her own coup to take over the corporation given her recent discovery that Walter Kendrick is an arse; and, b) Phil's affair is headline news, thanks to Ellen's PI photos of Phil smooching his Londong Love ending up on Patty's desk.

Yes, this week was juicy.

But I fear we might be done with Marcia Gay Harden.

Total speculation on my part, but her going to Patty to tell her to nail Kendrick seemed to suggest her time was done - sort of a graceful exit stage left.

And that's a bummer.

If she does pop up again, that will be fine by me. MGH was a pleasure to watch, and I confess I liked they brought her around to be one of the good guys in the end (give or take one's definition of "good").

And the tension between Patty and Ellen almost boiled over this week, eh? We obviously know it will, but the final pieces of Ellen's rage seem to be falling into place.

Quietly.

Under the surface.

Hardly containable.

And now quite obvious to Patty.

Glenn Close and Rose Byrne have manifested their tit-for-tat this season even better than they did the first season. The two confrontations this week - in the office, after Patty pulls the investigator off the Frobisher investigation much to Ellen's ire; and, Patty at home, in a subdued drunken stupor, having torn her closet apart after the blowup with Phil's affair, having called Ellen to tell her she knows she's the one who sent the affair photos to her in the first place - were so perfectly done. There is - as always - a certain controlled stillness to their scenes together that makes one's skin crawl; the tension just burns through the screen. This really is the consummate lesson in the less-is-more approach.

And that's just what we have left: less.

Only two episodes to wrap up this second season.

It's going to get ugly.

And that is always a good thing on Damages

New episodes of Damages air Wednesdays at 10 p.m. on FX. To catch up on the Who, What, Where, When, Why and How of the show, head on over to the official Damages Web site. You can also download full episodes of the show over at iTunes.

Wednesday, March 18, 2009

'Trust Me's' Double Whammy

'Trust Me' on TNTBy LillyKat
PTR Senior Staff Writer


So, it's taken me most of the day to figure out what I wanted to say with regards to the two new episodes of Trust Me that aired back-to-back this week.

And, I'm still not sure.

The show has slipped into being too predictable for me, and I'm afraid the scenarios in this week's eps weren't much of an exception.

First episode: Conner bonking the marketing director of a big time account the team needs to secure in order to survive ('cause we recall they lost Arc Mobile). Turns out she dumped the last agency because ... uh, the relationship didn't work out.

Gee, we couldn't see that coming, could we?

No offense on Amy Pietz's portrayal of Diane the Dish, but the minute she slithers in and starts flirting with everybody, I'm like, "So, this is going to end with her sleeping with Conner, then dumping Conner, then ruining the account for Mason."

And for the most part, I was right.

Except in the end, when the boys actually stick it to Diane and turn one of Conner's midnight romps with her IN to the actual advertising campaign - which she fumes over but is outvoted by HER boss.

I swear, she was even more paranoid schizophrenic than Sarah.

And annoying.

Seriously, does Conner actually think anything through?

Second episode: Conner and Mason - whilst on assignment in the middle of Nowhere Nebraska studying focus groups for aforementioned Diane's account - run into Conner's former art director partner.

You know, the one before Mason.

Whom he apparently ditched some years back when he realized the guy had zilch-o talent but didn't have the cajones to actually own up and say it to his face.

And Stu (remember Stu?) fired him.

Well, fast forward to Conner feeling all guilty for how it all went down, and thus, gee we couldn't see that coming conning Mason into hiring him onto the team only to have his work be just as bad as it was a decade ago, and Conner still not having the cajones to man up to get rid of him.

Now there were a couple of charmers in these episodes - mostly concerning Sarah Clarke's Erin (again). Seriously, I really can't get enough of the scenes between her and Eric McCormack. They have got some true husband-wife chemistry if I've ever seen it.

And Sarah's attempt to get Rolling Rock (yes, the beer) to become one of Mason's accounts was funny - especially in her attempts to keep it secret and/or speak in the-crow-is-in-the-barn code.

And Conner's former partner really WAS a decent guy. Kinda made you feel bad he had been lead to believe he really had talent to work in the advertising industry. He almost seemed TOO decent to be part of the insanity.

And the first episode finally gave us (er, me) the magic Mason/Conner moment showing why they should even BE together: they are a really good team when they want to be.

But really, I was left mostly underwhelmed again by what was on display. It continues to be a shame, too, because I think the cast gels really well together. All the actors get that rapid fire delivery of lines, the quick pacing of the scenes, the never-ending source of energy required to work in advertising.

Unfortunately, the show is just stuck on the Mason has problem/Conner tries to fix problem/Conner makes problem worse/ya-da, ya-da formula that plays too much like a one-trick pony.

**PROGRAMMING NOTE: Next new episode of Trust Me airs on March 31st, with two back-to-back episodes beginning at 9 p.m. You can learn more about the series by visiting the Trust Me Official Web site.